Meet Our Faculty

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Average class size: 18

Donna Webber

215

Full-time faculty members,
70% of whom are women.

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Student-to-faculty
ratio of 10:1

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“The faculty are extremely accessible. There’s the sense that we’re here for common goals.”

Kara Mellonakos '15HCMBA

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Jeannette Allis Bastian
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Lowry Pei

I grew up in St. Louis, got my B.A. in English at Harvard (1967) and my Ph.D. at Stanford (1975). I was a conscientious objector during the Vietnam war. I came to Simmons in 1985 after teaching at the University of Missouri, UC San Diego, and Harvard’s Expository Writing Program. Despite having done a dissertation on Anthony Trollope’s Palliser novels, I didn’t become a Victorianist; instead I’ve spent my career teaching writing. At Simmons I was director of Freshman Writing, later called Writing and Thinking, from 1985 to 1996, and then directed MCC, the first-year core/writing course, from 1996 to 1999. In 2004-2006, I led faculty workshops and seminars on teaching writing as part of the “Writing Infusion” initiative, whose goal is to have writing-intensive courses offered in all majors. I chaired the English Department 2002-2007.

I currently teach creative writing, both fiction and non-fiction, and Approaches to Literature, otherwise known as spring training for English majors.

Stephen Ortega

My name is Steve Ortega, and I teach in the History Department at Simmons College. I have a Bachelor’s degree from New York University, a Master’s degree from Harvard University and a PhD. from the University of Manchester in the United Kingdom. I am the director of the History MA program, which includes...

Donna Webber

Donna Webber

Donna Webber worked for more than three decades as a professional archivist in Boston-area repositories, including the Schlesinger Library, MIT, and Countway Library at Harvard Medical School. She served as the Simmons College archivist for seven years. Webber began teaching as an adjunct at GSLIS in 2001 and joined the faculty full time in 2011. Webber is active in the Society of American Archivists and New England Archivists and recently co-authored Archival Internships: A Guide for Faculty, Supervisors and Students with GSLIS Professor Jeannette Bastian.

Donna Webber's Curriculum Vitae

Jo O'Connor

O’Connor has worked for nearly 30 years in the marketing communication industry with specialties in entertainment, sports, oral presentation and event planning.

She has held leadership roles for the Boston Celtics, the Boston Garden/FleetCenter, CBS Radio, Sonesta Hotels, the Wang Center for the Performing Arts as well as worked twice in an agency setting.

Previously, O’Connor was full-time faculty member for 10 years at Boston University’s College of Communication – overhauling the oldest student PR agency in the county PRLab and has been awarded numerous teaching awards there. She has also taught advertising at Northeastern University for four years and is currently teaching online communication courses at Lasell College, where she has been for five years. She also runs a boutique mar/comm agency representing several regional clients.

O’Connor is delighted to be teaching full-time at Simmons College in Boston, where she is overseeing the new joint major (a collaboration between the Communication Department and School of Management) in Public Relations and Marketing Communication.

Go Sharks!

Kelly Hager

I've been at Simmons since 2001, teaching in the departments of English and Women's & Gender Studies, in the undergraduate Honors Program, and in the graduate programs in English, Children's Literature, and Gender/Cultural Studies. I was awarded the Dean's Award for Excellence in Teaching in 2006. I served as Director of the Graduate Program in Gender/Cultural Studies from 2003-2007, as interim Chair of the D epartment of Women's & Gender Studies in 2010-11, and as Chair of the Department of English from 2011-2014. Before coming to Simmons, I was Head Preceptor in the Expository Writing Program at Harvard and Lecturer and Mentor to new graduate student teachers in the English Department at Yale.

I co-chair the Victorian Literature and Culture Seminar at the Mahindra Humanities Center at Harvard, and I'm on the editorial board of The Lion and the Unicorn. I'm the author of Dickens and the Rise of Divorce: The Failed-Marriage Plot and the Novel Tradition (chosen by CHOICE as a highly recommended book), the co-author of the Instructor's Guide for the Norton Introduction to Literature, and I co-edited a special issue of Victorian Review on "Extending Families." I've also contributed invited pieces to the Oxford Encyclopedia of Children's Literature, the Oxford Handbook of Children's Literature, Keywords for Children's Literature, BRANCH (Britain, Representation and Nineteenth-Century History), and The Encyclopedia of Victorian Literature (Wiley-Blackwell).

Catherine Paden

Catherine Paden (PhD, Northwestern University) is Associate Professor and Chair of Political Science at Simmons College. Her research and teaching interests focus on racial politics, social movements, interest groups, and how underrepresented groups gain political representation. She is the author of Civil Rights Advocacy on Behalf of the Poor (2011, pb 2013), which assesses whether, and how, low-income African Americans gain representation in anti-poverty legislative battles. Her current research examines the impact of local civil rights and economic justice organizing on national policy and interest group priorities. She has published her research in the DuBois Review and has contributed research on the Nation of Islam to a volume on religion and American politics (University of Virginia, 2012). At Simmons, Paden serves as the Faculty Assistant to the Dean on Diversity Initiatives, on the Dean's Diversity Task Force, and on the President's Diversity and Inclusion Advisory Council (PDIAC).

Nancy Lee

Professor Lee was born in Seoul, South Korea and her family immigrated to the US when she was in middle school. She gravitated towards math and science courses in high school due to the language barrier and pursued chemistry at University of Pennsylvania. With BS in chemistry, she worked in the pharmaceutical industry for 4 years where she fell in love with synthetic organic chemistry. She decided to attend Brown to get a Ph.D. in organic synthesis. After a year of postdoctoral work at MIT in organometallic chemistry, she came to Simmons. She’s been teaching organic chemistry to science majors and pre health majors since 1994. She has put much of her effort into innovative teaching. There are two main areas of curricular change that she’s proud of: first is converting traditional lectures into “flipped lectures” for organic chemistry I and II. In the flipped lecture model, students watch a video before class and during "class", which is really a problem solving session, all the students are sent to white boards to solve problems. The second innovative curriculum change is the conversion of traditional labs to research incorporated labs. The recent paper entitled “Using Green Chemistry Principles as a Framework to Incorporate Research into the Organic Laboratory Curriculum” in the Journal of Chemical Education describes how this was accomplished. Research integration has made it possible for students to get involved in research in their first year. Peer mentoring is then used to train students for 2-3 more years in the art of research. This makes it possible for seniors to contribute independently. With these changes in curriculum, there has been tremendous evolution in how research is done by undergraduates at Simmons in the last ten years.

Ellen Grabiner

I am currently the Chair of the Communications Department at Simmons College, in Boston, Massachusetts. I was hired fourteen years ago as an instructor quite simply because of my immersion in what were then the newest media in the communications field: the world wide web, digital imaging, and digital video editing. I was hired with the hope that I would help to bring the department into the 21st century, both in terms of preparing the communications students for the world that awaited them, but also in terms of helping them to explore, articulate and question the tremendous changes in media that surrounded them.

Fast-forward fourteen years and we are all still reeling from the accelerating speed at which new media has evolved. There is not a corner in the developed world today that has remained untouched by this gargantuan moving target of change. As a department that understands communication as a discipline that not only utilizes media but also critiques it, at Simmons we have embraced an approach that emphasizes media convergence: we employ new media to observe, explore, question, track, and understand new media. At the same time, we encourage our students to inhabit a meta-space in which they can approach the study of new media through philosophical, theoretical, political, social, technological, and aesthetic lenses.

My work as an educator, mentor, and developer of curricular initiatives includes co-design and co-direction of Simmons’ interdisciplinary minor in Cinema and Media Studies, my pioneering work in the first learning communities as part of the Simmons Honors program, my development of courses in cinema and media theory, storytelling, digital cultures and communications technologies, and my design and leadership of an intensive January course at Simmons called the World Challenge. In this short course that occurs over intersession, students work together in self-guided, faculty supported teams to solve a pressing social/political/environmental problem and develop actionable solutions which they then present to potential funders. The World Challenge I co-taught with Professor Nanette Veilleux and Professor Laura Saunders of SLIS, was entitled, “Would I Lie to You?” and responded to the problematic of the role of media/information today. Many of the solutions the students developed relied on social media, including concepts for mobile apps to alter the ways in which we access and share information.

Bridget Lynch

As an artist, B. Lynch, has been working with the topic of folly for many years. Her theatrical installations of the Folly pantheon have been shown at many solo exhibitions in New England. Her new project: The Red and the Grey showed at two venues in 2013.

Lynch has been combining digital and other media for several years, including "Tragical, Comical"... an installation with video and a site-specific labyrinth at the Grimshaw-Gudewicz Gallery in Fall River MA in 2008.  She presented a mixed media and video installation, Truth & Folly at UMass Amherst November 2004. Chain of Fools: Hogarth Reinterpreted by B. Lynch, a mixed media and video installation at University of New Hampshire. January 2006 her project Just a Pack of Cards, with the Open Studio Program was on view at the Currier Museum in Manchester NH. Other shows of note are: the Throne Project 2003, Museum of Fine Arts Boston, Fool’s Progress, Eastern CT State University;The Game of Folly, The Art Complex Museum; and Plucked Fruit, Montserrat College of Art. Lynch has shown extensively in group shows, including The Chicken Show at the Boston Center for the Arts; as well as shows in Germany and the Midwest. Her popular lectures on the topic of Folly and art have been given at many universities and colleges.

Nevada, California, Texas and Alaska have played host to her videos and sound projects from 2011-2012. Video projects were screened at the Carnegie Museum in Pittsburg, University of California Chico State, Lexington Art League among others. The Artist Foundation, Boston, premiered her solo video project: The Lunar Cycle 1 in November 2009.  Studio Green Gallery in Munich Germany premiered two videos in Fall 2009. Miss Kittikins... is included in Creatures Great & Small, a show originating at Murray State College in Kentucky, it has a catalog and traveled to Paducah and Lexington Ky.  
 
The Virginia Center for the Creative Arts awarded her a fellowship in 2008. She has won several awards for her projects, including a Puffin Grant and Ludwig Vogelstein award. She is a co-founder of the Hall Street Artist Collaborative, which produced two outdoor video screenings. Her bibliography includes reviews in Sculpture Magazine, ART New England, the Boston Globe, the Boston Herald, the Patriot Ledge, the Wire and others, as well as several exhibition catalogues, and two cable TV presentations. She is included in the Springfield Ohio Museum of Art; The Boston Public Library, Boston; the Art Complex Museum, Duxbury, MA; Eastern Connecticut State University Collection; University of NH Art Museum; Private collections in the USA, Germany and Sweden.

Critics say of her work: “Created with compassion, originality and wit, Lynch’s tableaux are metaphors for society.”—Alicia Faxon Art New England. "Lynch has inspiration and intellect to spare. Her installation embraces the illogic of chance, double dealing, and rule breaking that too often define our lives. Her work also includes the overt nod to Dada and recalls Duchamp's passion for chess."—John Stomberg ART New England. 


Heather Hole

Heather Hole is Assistant Professor of Arts Administration and Art History in the Department of Art and Music at Simmons College. She is the author of the book Marsden Hartley and the West: The Search for An American Modernism, published by Yale University Press, and the curator of the traveling exhibition of the same name. In her previous position as curator at the Museum of Fine Arts, Boston, she played a key role in planning and installing the new Art of the Americas Wing, which opened in November of 2010. 

Jeannette Allis Bastian

Jeannette Bastian

Jeannette A. Bastian is Professor and Associate Dean for Academic Affairs and the Director of the Archives Management concentration. She has taught at Simmons since 1999.  Formerly Territorial Librarian of the United States Virgin Islands from1987 to 1998, she received her MLS from Shippensburg University, an M.Phil in Caribbean Literature from the University of the West Indies (Mona) and a Ph.D. from the University of Pittsburgh. Her research interests include archival education, memory, community archives, and postcolonialism.


She is widely published in the archival literature and her books include West Indian Literature, An Index to Criticism, 1930-1975 (1981) Owning Memory, How a Caribbean Community Lost Its Archives and Found Its History (2003), Archival Internships (2008), and Community Archives, The Shaping of Memory (2009). 

Jeannette Bastian's Curriculum Vitae