Meet Our Faculty

Martha Mahard
Eileen Abels

Average class size: 18

Suzanne Leonard
Masato Aoki
Eduardo Febles
Afaa Weaver

215

Full-time faculty members,
70% of whom are women.

Mary Jane Treacy
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Student-to-faculty
ratio of 10:1

botticelli
Michael Brown
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“The faculty are extremely accessible. There’s the sense that we’re here for common goals.”

Kara Mellonakos '15HCMBA

Jo Trigilio
Bridget Lynch
Katherine Jung Reis
Kathleen Millstein
Martha Mahard

Martha Mahard

Martha Mahard has more than three decades of professional experience with the Harvard University Libraries, including work in photography and visual collections at the Fine Arts Library, the Harvard Graduate School of Design, and the Harvard Theatre Collection of The Houghton Library. In addition to her numerous journal articles and presentations in the field of photographic archives, cultural heritage, and digital preservation, she is the co-author with Ross Harvey, of The Preservation Management Handbook: A 21st Century Guide for Libraries, Archives and Museums (published by Rowman and Littlefield in April 2014). With Michele Cloonan she was co-principal investigator for the IMLS (Institute of Library and Museum Services) Laura Bush 21st Century Librarians grant which supported the development and implementation of the Cultural Heritage Informatics concentration. She has served as a consultant on major projects for museums and libraries, including the Worcester Art Museum and the Boston Public Library, and is a current board member at the Northeast Document Conservation Center. Mahard received an M.A. in Theatre History from Tufts University, and her M.S. and D.A. from Simmons SLIS.

Martha Mahard's Curriculum Vitae

Eileen Abels

Eileen Abels

As Dean of the Simmons School of Library and Information Science (SLIS), Eileen Abels brings more than 30 years of award-winning expertise in library and information science to the school to help prepare 21st century information professionals for work in libraries, archives, information institutions, and cultural heritage organizations. She has led a distinguished career as an educator and innovator. She is the recipient of the ALISE Award for Professional Contribution to Library and Information Science Education, the ASIS&T Thomas Reuters Outstanding Information Science Teacher award, the Special Libraries Association Rose L. Vormelker award, and the Medical Library Association's Ida and George Eliot prize, among others.

Prior to joining Simmons SLIS, Abels was the Associate Dean for Academic Affairs and Professor at the iSchool at Drexel, The College of Information Science and Technology. Specializing in digital reference, she oversaw ipl2, a digital library resulting from the merger of the Internet Public Library and the Librarian's Internet Index. Her current research interests focus on the future of reference services, libraries, and library and information science education.

Her leadership positions include serving as president of the Association for Library and Information Science Education (ALISE) and President of Beta Phi Mu (International Library & Information Studies Honor Society). She is widely published, including articles, conference proceedings, and book chapters. Abels has also edited several books and co-authored two books.

Abels also held a faculty position for 15 years at the University of Maryland's College of Information Studies and has been a librarian and information professional in special libraries, including the Instituto de Investigaciones Eléctricas in Mexico, Price Waterhouse's Washington National Tax Service, and Boston Consulting Group.

She obtained her MLS degree from the University of Maryland and her Ph.D. from UCLA. Abels received her bachelor's degree from Clark University.

Eileen Abels' Curriculum Vitae

Suzanne Leonard

Suzanne Leonard

Suzanne Leonard is Associate Professor of English, and co-coordinator of the college's interdisciplinary minor in Cinema and Media Studies. She is the author of Fatal Attraction (Wiley-Blackwell, 2009) and co-editor of Fifty Hollywood Directors (Routledge, 2014).

She regularly instructs classes on American film and television studies, feminist media studies, women's literature, literary interpretation, and cultural studies, and frequently teaches courses affiliated with the Women's and Gender Studies department and the college's Gender and Cultural Studies Master's program. She also teaches graduate classes through the Graduate Consortium in Women’s Studies at MIT.

Professor Leonard is most interested in the intersections between feminism and popular culture, and her work has examined topics including: the treatment of the adultery plot in feminist novels; marriage envy; Elizabeth Taylor and Richard Burton's epic romance; Lily Tomlin; political spouses and The Good Wife; reality television and celebrity culture; and working women in American film and television.

Professor Leonard is currently working on a book on marriage and wives called Wife, Inc.: The Business of Marriage in Twenty-First Century American Culture.


Masato Aoki

Masato Aoki

I started my own college education as a pre-med major. (Guess what my parents did.) In my second semester, I discovered economics, and I’ve been a student of economic systems ever since. I continue to be fascinated by the dynamics that subject the economy to instability and even crisis; competing economic theories, from those that celebrate market outcomes to those that problematize class; economics as a window into social justice issues; and education reform movements as reflections of economic priorities. While I did not become a physician, I have devoted my life to studying the physiology and metabolic system of an important patient: the economy.

I love teaching as a craft, as a way to inspire students, and as a way to be inspired by students and colleagues. The classroom is a sanctuary, and time preparing for class and helping students pursue their own research is precious. Teaching extends to working one-on-one with students during office hours and engaging in intellectual play with the Economics Student Liaison (similar to economics “clubs” at other institutions). I also take great pleasure in advising students, which for me means helping them (1) discover their passions, (2) figure out what difference they want to make in the world and how to prepare to make that difference, and (3) navigate Simmons and Boston to get to most out of their college experience.

Shirong Luo

Shirong Luo has been a member of the philosophy department at Simmons College since 2006. Prior to his appointment at Simmons, he had been a visiting professor at Mount Holyoke College for two years (2004-2006). The first recipient of the Dean's Award for Exceptional Faculty Scholarship at Simmons College (2012), Dr. Luo has focused his research on Chinese philosophy of the classical period, comparative philosophy, and feminist ethics. He was an invited lecturer at the National Endowment for the Humanities Summer Seminar for College and University Teachers (2008).

Among the many courses Dr. Luo has taught at Simmons are Asian Philosophy, Philosophy of Religion, World Religions, Ancient Greek Philosophy, Philosophy and the Arts, Philosophy through Literature and Film, Philosophy of Human Nature, American Pragmatism, Biomedical Ethics, and MCC.

Eduardo Febles

Eduardo Febles

Professor Febles, a native of Puerto Rico, received a B.A. in French and Political Economy from Tulane University, and an M.A. and Ph.D. in French Studies from Brown University. He also studied at L'École Normale Supérieure, L'Institut d'Études Politiques, and La Sorbonne in Paris. Before coming to Simmons, he taught at Goucher College and Brandeis University. His research focuses on the intersections between politics and literature, especially in 19th century France. He is the author of Explosive Narratives: Anarchy and Terrorism in the Works of Emile Zola, published by Rodopi Press in 2010. He also edited with his mother, Dr. María Vega de Febles, a collection of articles written by his grandfather entitled Crónicas Ejemplares and published by Ediciones Universal in 2010. He is presently working on a project about the connections between homophobia and anti-Semitism during the Dreyfus Affair. He is also the author of several scholarly articles, book reviews, and short stories.

Afaa Weaver

Afaa Weaver

Afaa Michael Weaver (Michael S. Weaver) was born in Baltimore, Maryland, where he graduated from Baltimore Polytechnic Institute at the age of sixteen as a National Merit finalist. After two years at the University of Maryland, he entered fifteen years of factory work, during which time he wrote and published.

During the Vietnam War, Professor Weaver served honorably in the 342nd Army Security Agency of the Army Reserves. He ended that period of blue collar factory work in 1985, when he received an NEA fellowship in poetry. In that same year Professor Weaver entered Brown University's graduate writing program on a full university fellowship. While completing his M.A. at Brown, he also completed his B.A. in Literature in English at Excelsior College.

Later Professor Weaver taught at Essex County College, Seton Hall Law School, New York University, Brooklyn College, and Borough of Manhattan Community College. He came to Simmons in 1998, after receiving tenure with distinction at Rutgers University. At Simmons he is a tenured full professor and holds the Alumnae Endowed Chair, the first chair to be established at the college and one that is reserved for working writers.

In addition to the NEA, Professor Weaver has received several awards over the years, including the Kingsley Tufts Poetry Award (2014), May Sarton Award (2010), several Pushcart Prizes (2008, 2013, 2014), a Pew fellowship (1998), a Pennsylvania Council on the Arts fellowship (1994), and a Fulbright appointment as a scholar (2002) at National Taiwan University and Taipei National University of the Arts.

He is the author of numerous books of poetry, a collection of essays which he edited, several essays and articles in various academic and trade publications, and short fiction. As a freelance journalist he has written for the Baltimore Sunpapers, Baltimore Afro-American, The Philadelphia Tribune, The Boston Globe, The Chicago Tribune, The Baltimore City Paper, and The Philadelphia Sun. He has been the editor of Obsidian III at North Carolina State University, and the editor and founder of 7th Son Press in Baltimore.

At Brown, Professor Weaver focused on playwriting and theatre. His master's thesis was a full length play entitled Rosa, which was produced professionally in 1993 at Venture Theater in Philadelphia. In that same year he won the PDI Award in playwriting from ETA Theatre in Chicago, Illinois. He is the author of several other plays, including Berea, which has received two staged readings, one in Chicago and one in Philadelphia.

Dr. Henry Louis Gates of Harvard University has described Professor Weaver as "...one of the most significant poets writing today." Ed Ochester, professor emeritus at University of Pittsburgh has said Professor Weaver is "...the African American successor to Walt Whitman."

Professor Weaver studies Chinese on an ongoing basis, and in 2005 he tested successfully in the intermediate level of fluency in Speaking, Reading, and Writing at the Taipei Language Institute in Taipei, Taiwan. He has convened two international conferences on contemporary Chinese poetry at Simmons and, in that way, given the college an international presence in the world of Chinese poetry. In 2005 he was awarded a gold friendship medal from the Chinese Writers' Association in Beijing, China.

Professor Weaver's papers are held in repository at the Howard Gotlieb Archival Research Center at Boston University.

Mary Jane Treacy

Mary Jane Treacy

I am a Professor of Spanish Language and Literatures as well as Director of the Honors Program. I wrote a doctoral dissertation on drama, the emergence of comedy, in 16th-century Spain with an emphasis on the comedia of Lope de Vega. Soon after this, I turned to the other face of Spanish theatre: the famous wife-murder plays of Lope de Vega and Pedro Calderón de la Barca and from there to violence (state violence as well as violence against women) in Latin American and Spanish literature.

Violence took me directly to Latin American experiences of the 60s - 90s to see how literature and film attempted to make sense of political upheaval and state violations of human rights. I also examined how personal writings—autobiography, essays, interviews—by members of guerrilla movements explained and framed their participation and use of violence to bring about social change. My particular interest was, and remains, in how women joined these forces and how they explain their experiences as gendered (or not).

Interest in social movements took me from Latin American guerrilla organizations to U.S. social movements. I was given the opportunity to teach Roots of Feminism in the WGST program. Soon after, I joined Reacting to the Past, a group of historians and political scientists centered at Barnard College who design role-playing games for college courses in a variety of fields. I saw that their approach was one that would ideally suit the Roots course, except that I was going to have to write it myself. So I did. Greenwich Village 1913: Suffrage, Labor and the New Woman has now been featured at many national conferences and is played in universities throughout the United States.

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Peter Botticelli

Peter Botticelli has a doctorate in history from the University of Illinois at Urbana-Champaign and an M.S.I. degree with a concentration in archives and records management from the University of Michigan School of Information. His most recent position was at University of Arizona School of Information Resources and Library Science, where he directed the school's Digital Information Management (DigIn) graduate certificate program. Previously, he held research positions at Cornell University Library, the University of Michigan, and Harvard Business School. He has taught graduate courses on digital libraries, digital curation, scholarly communication, and digital preservation and has published research in history and archival studies.

Peter Botticelli's Curriculum Vitae

Michael Brown

Michael Brown

Michael L. Brown is Professor of Mathematics and Statistics. He came to Simmons in 1986 and, for his first fifteen years at the College, taught half-time in mathematics and statistics, and half-time in computer science. Following that period, he has been teaching entirely in mathematics and statistics.

Professor Brown’s interests have been wide-ranging and interdisciplinary. As an applied mathematician, earlier in his career, he published in major journals in mathematical statistics, biophysics, and medical informatics. He also produced working papers in computer hardware design and econometric modeling. He in addition published expository mathematics. He was a postdoctoral Research Associate at the Computer Research Center of the National Bureau of Economic Research.

In recent years his interdisciplinary reach has taken new directions. He seeks to connect the mathematical sciences with issues of public interest, as well as with the arts. Twelve of his Letters to the Editor (eleven signed with his Simmons affiliation) on these topics have appeared in the New York Times. He is also concerned with the deeper motivations for learning and, more generally, questions of meaning and ethics in psychological life. He is a member of the Faculty Learning Community on Student Learning Theory, and has been a longtime member of the Simmons Honor Board. In the arts, he has a particular interest in theatre and drama, exemplified for instance by his very well-received performed readings at the Harvard Strindberg Symposium, a centennial gathering of scholars in honor of one of the founders of the modern theatre.

His Ph.D. is in Applied Mathematics, with a specialty in mathematical statistics, from Harvard. His A.M. is in Applied Mathematics, with a specialty in the mathematical physics of fluid dynamics, also from Harvard. His B.A. is from Columbia College of Columbia University in New York, where he was the valedictorian of his graduating class of more than 600 students.

Jo Trigilio

Jo Trigilio

Jo Trigilio received her Ph.D. in Philosophy with a concentration in Feminist Theory from the University of Oregon. Professor Trigilio has a special interest in the intersection of theory and practice. She specializes in oppression/liberation theories, including feminist and gender theories, race theories, and queer theory.

She is politically active in the queer community of Boston. Professor Trigilio has served on the board of directors for the National Women's and Gender Studies Association for six years. She is currently leading The Boston Dyke March History and Archive Project.

Bridget Lynch

Bridget Lynch

As an artist, B. Lynch, has been working with the topic of folly for many years. Her theatrical installations of the Folly pantheon have been shown at many solo exhibitions in New England. Her new project: The Red and the Grey showed at two venues in 2013.

Lynch has been combining digital and other media for several years, including "Tragical, Comical"... an installation with video and a site-specific labyrinth at the Grimshaw-Gudewicz Gallery in Fall River MA in 2008.  She presented a mixed media and video installation, Truth & Folly at UMass Amherst November 2004. Chain of Fools: Hogarth Reinterpreted by B. Lynch, a mixed media and video installation at University of New Hampshire. January 2006 her project Just a Pack of Cards, with the Open Studio Program was on view at the Currier Museum in Manchester NH. Other shows of note are: the Throne Project 2003, Museum of Fine Arts Boston, Fool’s Progress, Eastern CT State University;The Game of Folly, The Art Complex Museum; and Plucked Fruit, Montserrat College of Art. Lynch has shown extensively in group shows, including The Chicken Show at the Boston Center for the Arts; as well as shows in Germany and the Midwest. Her popular lectures on the topic of Folly and art have been given at many universities and colleges.

Nevada, California, Texas and Alaska have played host to her videos and sound projects from 2011-2012. Video projects were screened at the Carnegie Museum in Pittsburg, University of California Chico State, Lexington Art League among others. The Artist Foundation, Boston, premiered her solo video project: The Lunar Cycle 1 in November 2009.  Studio Green Gallery in Munich Germany premiered two videos in Fall 2009. Miss Kittikins... is included in Creatures Great & Small, a show originating at Murray State College in Kentucky, it has a catalog and traveled to Paducah and Lexington Ky.  
 
The Virginia Center for the Creative Arts awarded her a fellowship in 2008. She has won several awards for her projects, including a Puffin Grant and Ludwig Vogelstein award. She is a co-founder of the Hall Street Artist Collaborative, which produced two outdoor video screenings. Her bibliography includes reviews in Sculpture Magazine, ART New England, the Boston Globe, the Boston Herald, the Patriot Ledge, the Wire and others, as well as several exhibition catalogues, and two cable TV presentations. She is included in the Springfield Ohio Museum of Art; The Boston Public Library, Boston; the Art Complex Museum, Duxbury, MA; Eastern Connecticut State University Collection; University of NH Art Museum; Private collections in the USA, Germany and Sweden.

Critics say of her work: “Created with compassion, originality and wit, Lynch’s tableaux are metaphors for society.”—Alicia Faxon Art New England. "Lynch has inspiration and intellect to spare. Her installation embraces the illogic of chance, double dealing, and rule breaking that too often define our lives. Her work also includes the overt nod to Dada and recalls Duchamp's passion for chess."—John Stomberg ART New England. 


Katherine Jung Reis

Katherine Jungreis

I am delighted to be beginning my fifth year as a full time faculty member after 23 years as an adjunct here at Simmons School of Social Work. When then Professor Sophie Freud initially suggested that I teach the Psychopathology course (now Assessment and Diagnosis) while I was a doctoral candidate at Simmons, I told her that I had never really considered teaching and wasn’t sure it was such a good idea. She countered with, “this is an offer you can’t refuse” and her wisdom was clear as I quickly found that teaching became one of the greatest pleasures of my social work career. 

Following graduation from Smith School for Social Work, I worked for almost twenty years at a community mental health center in a poor and working class town. My clinical work was with adults, families, groups and emergency services and I dealt with a variety of issues including many people with severe mental illness and their families. During that time Cambodian refugees moved into the community and we were actively involved in trying to provide culturally meaningful mental health services to them.

Like many others in our field, the direction of my work has been constantly evolving. Initially after graduation, I received training and became very involved with family therapy. Later, as I became more attuned to connecting the various parts of myself in my work, I wove in my curiosity about integrating spiritual/religious issues and psychotherapy. I joined the Jewish Therapists Network and taught in the Certificate Program for Jewish Communal and Clinical Social Work at Simmons. Other areas of special interest to me have included social work ethics, working with couples, mindfully connecting theory to practice and the use of movies as a powerful learning tool. Appreciating the meaning of work and the workplace was a central focus during the ten years that I consulted to the staff at the Federal Employee Assistance Program.

Most recently, I have been intrigued with relational aspects of social work supervision. I have given presentations and consulted on this topic and in the summers I teach in the Certificate Program for Advanced Clinical Supervision at Smith School for Social Work. While I no longer supervise students and staff in an agency setting, I have been able to continue a significant amount of clinical consultation to practitioners as well as consulting to staff at South Shore Mental Health Center which afforded me the ability to work again in a community mental health setting.

I believe that to most effectively teach I need to be directly involved in the work and that my ongoing clinical experiences enrich the learning in the classroom. I have found Simmons to be a wonderfully supportive, interesting and committed community that truly cares about helping students to be skillful, thoughtful and caring social workers. I am excited to be part of this community and to contribute to the professional growth of future social workers.