Meet Our Faculty

George Coggeshall
James Corcoran

Average class size: 18

Tang
Bridget Lynch
Jeannette Allis Bastian
Lowry Pei
Kirk Beattie

215

Full-time faculty members,
70% of whom are women.

Eileen Abels
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Student-to-faculty
ratio of 10:1

Katherine Wisser
Judy Richland
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“The faculty are extremely accessible. There’s the sense that we’re here for common goals.”

Kara Mellonakos '15HCMBA

Amy Pattee
Katherine Jung Reis
Niloufer Sohrabji
Judith Aronson
George Coggeshall

George Coggeshall

Dr. Coggeshall joined the Simmons College PT Faculty in 2008.  He has over 35 years of physical therapy practice with experience in a variety of settings.  George’s primary teaching responsibilities at Simmons College include Cardiovascular and Pulmonary PT and Physical Therapy Management.  His background includes; PTA Program Chair at Bay State College, Director of Rehabilitation Services at Massachusetts Respiratory Hospital and he has owned and managed a private practice.   Dr. Coggeshall continues to actively practice physical therapy at the Brigham and Women's Hospital with a primary clinical focus of cardiovascular and pulmonary physical therapy. George’s extensive professional service includes; President of the Massachusetts Chapter of the APTA 2010-2013 and continues to serve as a national delegate to the APTA House of Delegates.

George’s academic degrees include; BS Biology - University of Rhode Island, MSPT - Boston University and DPT - Sacred Heart University.


James Corcoran

James Corcoran

James Corcoran, an associate professor in the Department of Communications, is the author of two books on domestic terrorism. The first, Bitter Harvest: The Birth of Paramilitary Terrorism in the Heartland, examined the rise of the anti-tax movement in rural America embodied by extremists groups such as the Posse Comitatus. NBC-TV turned the book, which was based on Corcoran's Pulitzer Prize nominated coverage of the murders of three U.S. marshals by a militant tax protest group, into a made-for-television movie, starring Rod Steiger, entitled "In the Line of Duty: Manhunt in the Dakotas." Bitter Harvest received the Gustav Meyers Center's award for Outstanding Book on the subject of human rights and the Golden Pen Award. Penguin Press reissued it with a new foreword in 1995 following on the Oklahoma City bombing. A third edition was reissued in 2005.

His second book, Gathering Storm: America's Militia Threat, was co-authored with Morris Dees, founder of the Southern Poverty Law Center. Written after the Oklahoma City bombing, it traced the growth and impact of hate groups, militias, and racist demagogues.

Corcoran is a member of the United Nations' "Roster of Experts on Terrorism and Related Phenomena" and a recipient of the Bush Foundation Leadership Award, which is awarded annually to no more than 20 people who are considered of "substantial standing" in their fields. During his 10-year career as a journalist, which included work for The Forum of Fargo-Moorhead and Newsweek, Corcoran received more than 24 state, regional, and national writing awards.

Tang

Rong Tang

Rong Tang received her doctorate from the School of Information and Library Science, University of North Carolina Chapel Hill. She has taught evaluation of information services, technology for information professionals, library automation systems, digital information services and providers...

Bridget Lynch

Bridget Lynch

As an artist, B. Lynch, has been working with the topic of folly for many years. Her theatrical installations of the Folly pantheon have been shown at many solo exhibitions in New England. Her new project: The Red and the Grey showed at two venues in 2013.

Lynch has been combining digital and other media for several years, including "Tragical, Comical"... an installation with video and a site-specific labyrinth at the Grimshaw-Gudewicz Gallery in Fall River MA in 2008.  She presented a mixed media and video installation, Truth & Folly at UMass Amherst November 2004. Chain of Fools: Hogarth Reinterpreted by B. Lynch, a mixed media and video installation at University of New Hampshire. January 2006 her project Just a Pack of Cards, with the Open Studio Program was on view at the Currier Museum in Manchester NH. Other shows of note are: the Throne Project 2003, Museum of Fine Arts Boston, Fool’s Progress, Eastern CT State University;The Game of Folly, The Art Complex Museum; and Plucked Fruit, Montserrat College of Art. Lynch has shown extensively in group shows, including The Chicken Show at the Boston Center for the Arts; as well as shows in Germany and the Midwest. Her popular lectures on the topic of Folly and art have been given at many universities and colleges.

Nevada, California, Texas and Alaska have played host to her videos and sound projects from 2011-2012. Video projects were screened at the Carnegie Museum in Pittsburg, University of California Chico State, Lexington Art League among others. The Artist Foundation, Boston, premiered her solo video project: The Lunar Cycle 1 in November 2009.  Studio Green Gallery in Munich Germany premiered two videos in Fall 2009. Miss Kittikins... is included in Creatures Great & Small, a show originating at Murray State College in Kentucky, it has a catalog and traveled to Paducah and Lexington Ky.  
 
The Virginia Center for the Creative Arts awarded her a fellowship in 2008. She has won several awards for her projects, including a Puffin Grant and Ludwig Vogelstein award. She is a co-founder of the Hall Street Artist Collaborative, which produced two outdoor video screenings. Her bibliography includes reviews in Sculpture Magazine, ART New England, the Boston Globe, the Boston Herald, the Patriot Ledge, the Wire and others, as well as several exhibition catalogues, and two cable TV presentations. She is included in the Springfield Ohio Museum of Art; The Boston Public Library, Boston; the Art Complex Museum, Duxbury, MA; Eastern Connecticut State University Collection; University of NH Art Museum; Private collections in the USA, Germany and Sweden.

Critics say of her work: “Created with compassion, originality and wit, Lynch’s tableaux are metaphors for society.”—Alicia Faxon Art New England. "Lynch has inspiration and intellect to spare. Her installation embraces the illogic of chance, double dealing, and rule breaking that too often define our lives. Her work also includes the overt nod to Dada and recalls Duchamp's passion for chess."—John Stomberg ART New England. 


Jeannette Allis Bastian

Jeannette Bastian

Jeannette A. Bastian is Professor and Associate Dean for Academic Affairs and the Director of the Archives Management concentration. She has taught at Simmons since 1999.  Formerly Territorial Librarian of the United States Virgin Islands from1987 to 1998, she received her MLS from Shippensburg University, an M.Phil in Caribbean Literature from the University of the West Indies (Mona) and a Ph.D. from the University of Pittsburgh. Her research interests include archival education, memory, community archives, and postcolonialism.


She is widely published in the archival literature and her books include West Indian Literature, An Index to Criticism, 1930-1975 (1981) Owning Memory, How a Caribbean Community Lost Its Archives and Found Its History (2003), Archival Internships (2008), and Community Archives, The Shaping of Memory (2009). 

Jeannette Bastian's Curriculum Vitae

Lowry Pei

Lowry Pei

I grew up in St. Louis, got my B.A. in English at Harvard (1967) and my Ph.D. at Stanford (1975). I was a conscientious objector during the Vietnam war. I came to Simmons in 1985 after teaching at the University of Missouri, UC San Diego, and Harvard’s Expository Writing Program. Despite having done a dissertation on Anthony Trollope’s Palliser novels, I didn’t become a Victorianist; instead I’ve spent my career teaching writing. At Simmons I was director of Freshman Writing, later called Writing and Thinking, from 1985 to 1996, and then directed MCC, the first-year core/writing course, from 1996 to 1999. In 2004-2006, I led faculty workshops and seminars on teaching writing as part of the “Writing Infusion” initiative, whose goal is to have writing-intensive courses offered in all majors. I chaired the English Department 2002-2007.

I currently teach creative writing, both fiction and non-fiction, and Approaches to Literature, otherwise known as spring training for English majors.

Kirk Beattie

Kirk Beattie

My name is Kirk James Beattie (pronounced bay-tee). I grew up in a small, mostly suburban town called Clarkston on the far northern edge of metropolitan Detroit, Michigan. I attended an excellent, private college, Kalamazoo College, in Kalamazoo, Michigan as an undergraduate. I majored in Political Science, and minored in French. I went to southern France on a junior year abroad program, and was totally smitten. I returned to France to conduct my senior thesis on a topic suggested by my college advisor, and about which I knew nothing: French foreign policy in the Middle East. This is literally how my lifelong interest in Middle East and North African politics began. At the time, the U.S. had no diplomatic relations with most countries in the region, a situation I felt could not last because of American allies’ energy needs, if not those of the U.S. Still enamored with France, I returned there for nine months following graduation from college. I audited Arabic and sat in on Political Science courses at the Institut d’Etudes Politiques in Aix-en-Provence.

During my third stay in France, I applied to graduate school programs in Political Science, and was accepted at The University of Michigan, the #2 program in the U.S. Over time I specialized in Comparative Politics, having acquired the impression that this subfield placed greater emphasis on understanding people’s concerns, beliefs and sentiments than did the International Relations subfield. Because I have a great fondness for foreign languages, and have been relatively adept at their acquisition, I went on to apply for various language grants and fellowships over the coming years, all of which either assisted me to pay for my graduate studies at Michigan in first Arabic, then Persian, and/or enabled me to seek admission to special, federally funded foreign study programs, such as the Tunisian Summer Study program, or the Center for Arabic Study Abroad program in Cairo, Egypt. I was fortunate to be selected for participation in these nationally competitive programs, as well as to be the recipient of several other national grants, such as an International Rotary Foundation Fellowship, and two Fulbright fellowships, that permitted me lengthy stays in Egypt or France.

Eileen Abels

Eileen Abels

As Dean of the Simmons School of Library and Information Science (SLIS), Eileen Abels brings more than 30 years of award-winning expertise in library and information science to the school to help prepare 21st century information professionals for work in libraries, archives, information institutions, and cultural heritage organizations. She has led a distinguished career as an educator and innovator. She is the recipient of the ALISE Award for Professional Contribution to Library and Information Science Education, the ASIS&T Thomas Reuters Outstanding Information Science Teacher award, the Special Libraries Association Rose L. Vormelker award, and the Medical Library Association's Ida and George Eliot prize, among others.

Prior to joining Simmons SLIS, Abels was the Associate Dean for Academic Affairs and Professor at the iSchool at Drexel, The College of Information Science and Technology. Specializing in digital reference, she oversaw ipl2, a digital library resulting from the merger of the Internet Public Library and the Librarian's Internet Index. Her current research interests focus on the future of reference services, libraries, and library and information science education.

Her leadership positions include serving as president of the Association for Library and Information Science Education (ALISE) and President of Beta Phi Mu (International Library & Information Studies Honor Society). She is widely published, including articles, conference proceedings, and book chapters. Abels has also edited several books and co-authored two books.

Abels also held a faculty position for 15 years at the University of Maryland's College of Information Studies and has been a librarian and information professional in special libraries, including the Instituto de Investigaciones Eléctricas in Mexico, Price Waterhouse's Washington National Tax Service, and Boston Consulting Group.

She obtained her MLS degree from the University of Maryland and her Ph.D. from UCLA. Abels received her bachelor's degree from Clark University.

Eileen Abels' Curriculum Vitae

Katherine Wisser

Katherine Wisser

Katherine Wisser comes to GSLIS from the University of North Carolina Chapel Hill, where she earned her doctorate in 2009 and master's degree in library and information science in 2000. Wisser also holds a master's degree in early American history from the University of New Hampshire. While in North Carolina, Wisser spent five years as the metadata coordinator for NC ECHO, a statewide program that encourages and supports use of appropriate metadata by member institutions to ensure online access to cultural heritage information facilitation, workshop instruction and individual institutional consultation. Prior to that, she spent two years as a libraries fellow in the North Carolina State University (NCSU) Libraries cataloging and special collections departments. Wisser's articles have been published in, among others, American Archivist, Library HiTech, and Library Resources and Technical Services. She currently serves as the co-chair of the Technical subcommittee for Encoded Archival Context for Corporate Bodies, Persons, and Families (EAC-CPF). Wisser joined the Simmons GSLIS faculty in Fall 2009.

Katherine Wisser's Curriculum Vitae

Judy Richland

Judith Richland

Judith Richland has been teaching new media courses in the Communications Department at Simmons College since 2004. For the past four years she has won the Simmons President’s Diversity and Inclusion Advisory Council Grant (PDIAC) for her program Diversity in Film Genres: Empowering Young Women of Color and Looking at Attitude Changes in the Simmons Community”. For this program she invites accomplished international women filmmakers to screen their films and engage with the students. The program encourages students to discuss the films and attend workshops with these filmmakers in order to understand the diverse needs of women throughout the world. In 2014 she organized and initiated the first International Women’s Film Forum at Simmons College which was attended by 150 participants. These film programs have greatly inspired her students and she works with them closely and encourages them create their own films. Under her guidance in August 2014, two Saudi students launched “Takalamy: A Conversation with Young Saudi Females.” The film was of great interest to the Chronicle of Higher Education, who contacted her about the making of and content of the film.

In addition to screening films, she teaches video editing, shooting, motion graphics, graphic design and web design. In 2003 she completed her Masters of Fine Arts degree specializing in New Media from the Dynamic Media Institute at the Massachusetts College of Art and Design. She also possesses a Master of Fine Arts from Massachusetts College of Art and Design in Printmaking, a Masters in Art History from Boston University and an undergraduate BS degree in Human Development from Cornell University. She has also studied in rigorous programs in Graphic Design at the Boston Museum School, Comparative Media Studies at MIT (with Henry Jenkins), and Art and Visual Perception at Harvard University (with Rudolph Arnheim).

Judith Richland is no stranger to the Graphic Design world in Boston. She headed up one of the few women-owned design firms in Boston for 20 years designing websites and promotional marketing literature for MIT, Apple Computer, Lotus Development, Massachusetts General Hospital, IBM, Fidelity and many other Fortune 500 companies. Richland Design Associates received numerous awards and the firm’s work appears in many design publications. Judith Richland was the first woman president of the Boston Chapter of AIGA (American Institute of Graphic Arts) and served on numerous national panels as a representative of the Boston design community.

Amy Pattee

Amy Pattee

After completing her master's in library science at Rutgers University, Amy Pattee worked as a children's librarian at public libraries in Ocean County and Burlington County, New Jersey. She received her doctorate in library and information science from the University of North Carolina Chapel Hill. She has published in journals related to library science and children's literature, and has contribute to professional journals School Library Journal and The Horn Book. Her most recent book, Developing Library Collections for Today's Young Adults, was published by Scarecrow in 2013. She teaches children's and young adult literature; you can read her blog at http://gslis.simmons.edu/blogs/yaorstfu/.

Amy Pattee's Curriculum Vitae


Katherine Jung Reis

Katherine Jungreis

I am delighted to be beginning my fifth year as a full time faculty member after 23 years as an adjunct here at Simmons School of Social Work. When then Professor Sophie Freud initially suggested that I teach the Psychopathology course (now Assessment and Diagnosis) while I was a doctoral candidate at Simmons, I told her that I had never really considered teaching and wasn’t sure it was such a good idea. She countered with, “this is an offer you can’t refuse” and her wisdom was clear as I quickly found that teaching became one of the greatest pleasures of my social work career. 

Following graduation from Smith School for Social Work, I worked for almost twenty years at a community mental health center in a poor and working class town. My clinical work was with adults, families, groups and emergency services and I dealt with a variety of issues including many people with severe mental illness and their families. During that time Cambodian refugees moved into the community and we were actively involved in trying to provide culturally meaningful mental health services to them.

Like many others in our field, the direction of my work has been constantly evolving. Initially after graduation, I received training and became very involved with family therapy. Later, as I became more attuned to connecting the various parts of myself in my work, I wove in my curiosity about integrating spiritual/religious issues and psychotherapy. I joined the Jewish Therapists Network and taught in the Certificate Program for Jewish Communal and Clinical Social Work at Simmons. Other areas of special interest to me have included social work ethics, working with couples, mindfully connecting theory to practice and the use of movies as a powerful learning tool. Appreciating the meaning of work and the workplace was a central focus during the ten years that I consulted to the staff at the Federal Employee Assistance Program.

Most recently, I have been intrigued with relational aspects of social work supervision. I have given presentations and consulted on this topic and in the summers I teach in the Certificate Program for Advanced Clinical Supervision at Smith School for Social Work. While I no longer supervise students and staff in an agency setting, I have been able to continue a significant amount of clinical consultation to practitioners as well as consulting to staff at South Shore Mental Health Center which afforded me the ability to work again in a community mental health setting.

I believe that to most effectively teach I need to be directly involved in the work and that my ongoing clinical experiences enrich the learning in the classroom. I have found Simmons to be a wonderfully supportive, interesting and committed community that truly cares about helping students to be skillful, thoughtful and caring social workers. I am excited to be part of this community and to contribute to the professional growth of future social workers.


Niloufer Sohrabji

Niloufer Sohrabji

As a college student I was drawn to economics because it taught me how to think about, and address the many challenges that ail our world. I became an educator because I wanted to share this knowledge and inspire my students to make a positive difference in the world.

Judith Aronson

Judith Aronson

Judith Aronson has been teaching graphic design at Simmons for seventeen years and has been a practicing designer and photographer for more than thirty years. Prior to Simmons she taught at the Massachusetts College of Art and Design and the New England School of Art and Design at Suffolk University. Earlier in her career she was a program analyst in the Civil Rights Division of the Justice Department in Washington, DC, served as a VISTA Volunteer in East Harlem, and worked as a city planner for the New York City Environmental Protection Administration. For fifteen years she lived overseas: three years in South East Asia and twelve in England where she was a photojournalist. Aronson holds a BA in American Studies from the University of Michigan and a MA in City Planning and a MA in Fine Art/Graphic Design, from Yale University.

Her special interests are typography, environmental design, and photojournalism. In 2003 she received a grant from the Colleges of the Fenway to teach the course Wayfinding: Design, Information Architecture and Public Spaces. Wayfinding is a specialty that applies design principles to information systems that help people move through complex urbanscapes — hospitals, airports, college campuses and the like. In 2006 Aronson had a one person retrospective in Boston of her color photographs, TACTILE |MERCANTILE, with pictures ranging from the young Mick Jagger, to the slums Harlem and the exotic scenery in South East Asia. In 2010 she published LIKENESSES, with the Sitters Writing About One Another, a book of black and white portraits of writers and artists. The book led to a number of exhibitions both in the US and England including at the Picture Gallery, Christ Church, Oxford, The Poetry Society, London and the Royal West of England Academy in Bristol. A poetry competition sponsored by Bristol University in conjunction with the last show produced thirty poems each responding to one of her photographs. In 2015 the exhibition will move to the Cambridge University Library in England for twelve months.

Aronson’s photographs are held in collections at The National Portrait Gallery, London; Christ College, Cambridge; Keble College and Christ Church, Oxford University; Brotherton Library, Leeds University; and the National Portrait Gallery (Smithsonian Institute), Washington, DC. Her work has been published in The Sunday Telegraph, England, the New York Review of Books, The Threepenny Review, Ms. Magazine, and the Boston Globe.