Meet Our Faculty

Denise Hildreth

Average class size: 18

Dana Grossman Leeman

215

Full-time faculty members,
70% of whom are women.

Suzanne Leonard
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Student-to-faculty
ratio of 10:1

Johnnie Hamilton-Mason
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“The faculty are extremely accessible. There’s the sense that we’re here for common goals.”

Kara Mellonakos '15HCMBA

Martha Mahard

Bridget Lynch

As an artist, B. Lynch, has been working with the topic of folly for many years. Her theatrical installations of the Folly pantheon have been shown at many solo exhibitions in New England. Her new project: The Red and the Grey showed at two venues in 2013.

Lynch has been combining digital and other media for several years, including "Tragical, Comical"... an installation with video and a site-specific labyrinth at the Grimshaw-Gudewicz Gallery in Fall River MA in 2008.  She presented a mixed media and video installation, Truth & Folly at UMass Amherst November 2004. Chain of Fools: Hogarth Reinterpreted by B. Lynch, a mixed media and video installation at University of New Hampshire. January 2006 her project Just a Pack of Cards, with the Open Studio Program was on view at the Currier Museum in Manchester NH. Other shows of note are: the Throne Project 2003, Museum of Fine Arts Boston, Fool’s Progress, Eastern CT State University;The Game of Folly, The Art Complex Museum; and Plucked Fruit, Montserrat College of Art. Lynch has shown extensively in group shows, including The Chicken Show at the Boston Center for the Arts; as well as shows in Germany and the Midwest. Her popular lectures on the topic of Folly and art have been given at many universities and colleges.

Nevada, California, Texas and Alaska have played host to her videos and sound projects from 2011-2012. Video projects were screened at the Carnegie Museum in Pittsburg, University of California Chico State, Lexington Art League among others. The Artist Foundation, Boston, premiered her solo video project: The Lunar Cycle 1 in November 2009.  Studio Green Gallery in Munich Germany premiered two videos in Fall 2009. Miss Kittikins... is included in Creatures Great & Small, a show originating at Murray State College in Kentucky, it has a catalog and traveled to Paducah and Lexington Ky.  
 
The Virginia Center for the Creative Arts awarded her a fellowship in 2008. She has won several awards for her projects, including a Puffin Grant and Ludwig Vogelstein award. She is a co-founder of the Hall Street Artist Collaborative, which produced two outdoor video screenings. Her bibliography includes reviews in Sculpture Magazine, ART New England, the Boston Globe, the Boston Herald, the Patriot Ledge, the Wire and others, as well as several exhibition catalogues, and two cable TV presentations. She is included in the Springfield Ohio Museum of Art; The Boston Public Library, Boston; the Art Complex Museum, Duxbury, MA; Eastern Connecticut State University Collection; University of NH Art Museum; Private collections in the USA, Germany and Sweden.

Critics say of her work: “Created with compassion, originality and wit, Lynch’s tableaux are metaphors for society.”—Alicia Faxon Art New England. "Lynch has inspiration and intellect to spare. Her installation embraces the illogic of chance, double dealing, and rule breaking that too often define our lives. Her work also includes the overt nod to Dada and recalls Duchamp's passion for chess."—John Stomberg ART New England. 


Denise Hildreth

Denise E. Hildreth

“Live to do good and you will never tire of your employment.”  I read this quote at the age of 17 and, since then, have kept it pinned to my wall. Even before then, my career path was mapped out - I never really wanted to be anything other than a professional social worker.  Looking back more than 20 years later, there is still no career I would rather have and nothing more rewarding than watching students gain a passion for the work that I love. 

I began my career as a child welfare practitioner, working with children and families facing a host of what seemed like impossible challenges. I saw the ways in which their situations were impacted not only by their choices, but by their environmental context and social forces and injustices that impacted their ability to thrive and meet their goals. I learned early on that being a good social worker involved working alongside clients as they confronted personal challenges while also advocating for social change. My professional identity became strongly rooted in a social work strengths perspective and a commitment to social justice. 

I became a social work educator in 2002 out of a desire to share my knowledge and experiences and to be a mentor and guide for the generation of social work professionals that would go on to replace me in the field. As Director of the new BSW Program at Simmons, I have sought to develop a learning community where my students can develop the knowledge, values, and skills needed to become competent, ethical generalist social work practitioners. As a teacher, I look to create a learning environment that is based upon mutual respect and an appreciation for intellectual curiosity, challenge, professionalism, and lifelong growth.  In the classroom, I strive to assist students in developing strong critical thinking, writing, and professional practice skills that allow them not only to assist individual clients in locating needed resources and addressing specific problems, but to examine the critical role that the social environment and systems of power and oppression play in all of our lives. It is my hope that students not only become strong practitioners, but equally strong advocates and agents of social change.  

In addition to my passion for child welfare work, I am a homicide bereavement researcher, specifically examining the ways in which homicide bereavement impacts the employment of surviving family members.


Niloufer Sohrabji

As a college student I was drawn to economics because it taught me how to think about, and address the many challenges that ail our world. I became an educator because I wanted to share this knowledge and inspire my students to make a positive difference in the world.

Dana Grossman Leeman

Dana Grossman Leeman

Program director and associate professor of practice Dana Grossman Leeman, MSW, PhD, is a member of the Board of Trustees for the Massachusetts Chapter of the International Association of Social Work with Groups (IASWG), and the co-chair of Symposia for the International Board of the IASWG. She is on the editorial advisory board of the journal Social Work with Groups and is a consulting editor for Reflections: Narratives of Professional Helping. Dr. Leeman teaches Social Work with Groups, Advanced Clinical Practice, and Advanced Group Work with Vulnerable and Resilient Populations.

Jo O'Connor

O’Connor has worked for nearly 30 years in the marketing communication industry with specialties in entertainment, sports, oral presentation and event planning.

She has held leadership roles for the Boston Celtics, the Boston Garden/FleetCenter, CBS Radio, Sonesta Hotels, the Wang Center for the Performing Arts as well as worked twice in an agency setting.

Previously, O’Connor was full-time faculty member for 10 years at Boston University’s College of Communication – overhauling the oldest student PR agency in the county PRLab and has been awarded numerous teaching awards there. She has also taught advertising at Northeastern University for four years and is currently teaching online communication courses at Lasell College, where she has been for five years. She also runs a boutique mar/comm agency representing several regional clients.

O’Connor is delighted to be teaching full-time at Simmons College in Boston, where she is overseeing the new joint major (a collaboration between the Communication Department and School of Management) in Public Relations and Marketing Communication.

Go Sharks!

Heather Hole

Heather Hole is Assistant Professor of Arts Administration and Art History in the Department of Art and Music at Simmons College. She is the author of the book Marsden Hartley and the West: The Search for An American Modernism, published by Yale University Press, and the curator of the traveling exhibition of the same name. In her previous position as curator at the Museum of Fine Arts, Boston, she played a key role in planning and installing the new Art of the Americas Wing, which opened in November of 2010. 

Carole Biewener

With a background in Economic Development and Political Economy and a joint appointment in Economics and Women’s and Gender Studies, Professor Biewener’s most current research interests address the political economy of food – a fabulous way of combining her love of gardening and food with her keen interest in community economies.

In 2013 she completed a long-term, collaborative research project with Marie-Hélène Bacqué (Professor of Urban Studies, Université de Paris Ouest Nanterre) that traced the genealogy of the term "empowerment" in the fields of gender and development, urban policy and social work. Publications from this research include “Feminism and the Politics of Empowerment in International Development” (forthcoming in Air and Space Power Journal–Africa and Francophonie); L’empowerment, une pratique emancipatrice (Editions La Découverte, 2013; Spanish translation forthcoming in 2015); and “Different manifestations of the concept of empowerment. The politics of urban renewal in the United States and Great Britain” (International Journal of Urban and Regional Research, August 2012).

Prior research and publications have addressed community development and social economy projects in the United States and Canada, debates at the intersection of poststructuralist feminism and postmodern Marxism, and the French Socialist government's financial and industrial policies in the 1980s.

Currently Professor Biewener is an Associate Editor for Signs, Journal of Women in Culture and Society and she has served on the Editorial Board of Rethinking Marxism (1990-2001). In 2009 she co-organized (with Randy Albelda, UMass-Boston) the 18th Annual Conference of the International Association for Feminist Economics, “Engendering Economic Policy,” which was hosted by Simmons College.

Professor Biewener oversees the Economics Department Internship program, and was Coordinator for the interdisciplinary minor in Social Justice from 2004-2013.

Suzanne Leonard

Suzanne Leonard

Suzanne Leonard is Associate Professor of English, and co-coordinator of the college's interdisciplinary minor in Cinema and Media Studies. She is the author of Fatal Attraction (Wiley-Blackwell, 2009) and co-editor of Fifty Hollywood Directors (Routledge, 2014).

She regularly instructs classes on American film and television studies, feminist media studies, women's literature, literary interpretation, and cultural studies, and frequently teaches courses affiliated with the Women's and Gender Studies department and the college's Gender and Cultural Studies Master's program. She also teaches graduate classes through the Graduate Consortium in Women’s Studies at MIT.

Professor Leonard is most interested in the intersections between feminism and popular culture, and her work has examined topics including: the treatment of the adultery plot in feminist novels; marriage envy; Elizabeth Taylor and Richard Burton's epic romance; Lily Tomlin; political spouses and The Good Wife; reality television and celebrity culture; and working women in American film and television.

Professor Leonard is currently working on a book on marriage and wives called Wife, Inc.: The Business of Marriage in Twenty-First Century American Culture.


Johnnie Hamilton-Mason

Johnnie Hamilton-Mason

Dr. Johnnie Hamilton-Mason is a Professor at Simmons College School of Social Work.  She teaches Advanced Clinical Practice, HBSE, Leadership, Political Strategies for Clinical Social Workers Practice, Practice with Immigrants and Refugees, Realities of Racism and Oppression and Qualitative Research. From 2004- 2007, Dr. Hamilton-Mason served as Director of the Doctoral Program at SSW.  In 2005 she co-founded the SSW’s Pharnal Longus Academy for Undoing Racism. From 2001 through 2008, she served as a Harvard University W.E.B. DuBois Institute non-resident fellow in African American research.  Her scholarship and research interests are primarily on African American Women and Families, the intersection of cross cultural theory and practice, and HIV/AIDS prevention and treatment. She has served as a Researcher at the University of Texas’s Hurricane Katrina Researcher Collaborative.  She has recent publications entitled “Working with African American Families”, “Work-life fit: The intersection of Developmental Life cycle and Academic Life Cycle”, “Hope Floats: African American Women's Survival Experiences after Katrina”, “Black Women talk about Workplace Stress and How They Cope”, “And Some of us are Braver: Stress and Coping among African American women”, “Psychoanalytic Theory: Responding to the Assessment Needs of People of Color?” "Using the Color of Fear as a Racial Identity Catalyst", and “Children and Urban Poverty.” With over twenty-one years of full-time teaching experience, she continues to enhance her teaching through clinical practice in urban agencies, as well as through consultation and education locally and internationally.

       Dr. Hamilton-Mason presents papers regularly at national and international conferences on such topics as the dynamics of diversity; teaching and learning issues related to diversity; HIV/AIDS prevention and treatment in the United States and Africa; urban practice and urban leadership educational outcomes; cross cultural competency and racial identity theory in clinical work. Previously, Dr. Hamilton-Mason was appointed as Co-Chair of the HIV/AIDS Task force for the National Association of Black Social Workers and currently serves as the Co-Chair of the Council on Social Work Education’s Council on the Role and Status of Women in Higher Education. Dr. Hamilton-Mason is currently on the editorial board for Health and Social Work and the Journal of Social Work Education.  She is also a Board of Trustees member for Research Education Collaborative for Al Quds University and the Heritage Guild.  In 2013, she was honored to receive the Massachusetts NASW Social Work Educator of the Year Award.  As a practitioner, researcher and scholar, her passion lies with serving underrepresented populations and communities.


Maria Dolores Pelaez-Benitez

I am a native of Spain and hold a doctoral degree in Hispanic Literature from the Universidad Complutense in Madrid.  After teaching Spanish at Boston University, I joined the faculty of Simmons College in 1992, where I became Associate professor (1999) and Professor of Spanish (2010).

Leanne Doherty

Dr. Doherty received her PhD in Government with a concentration in Public Policy from Northeastern University after receiving a BA in Government from Clark University. As an undergrad, she had many different roles as a student, not unlike many of our students here at Simmons: captain of the Women’s Basketball team, member of the Admissions Staff, and explorer of the many academic opportunities that a liberal arts college has to offer.

Currently, Dr. Doherty serves as Associate Dean for Academic Affairs for the College of Arts and Sciences where she supports the Dean of CAS around faculty and student academic needs. These include areas such as general education, academic support, and majors/program curriculum. She is also the director of the graduate Program in Public Policy as well as the 3+1 accelerated program in Public Policy. 

A proud member of the Department of Political Science and International Relations, Dr. Doherty’s teaching is centered around the American Political System, with a concentration on gender and politics, popular culture and public policy. She was honored to be named Professor of the Year by students in 2008 and received the Dean’s Award for Excellence in Undergraduate Advising in 2009. 

She is also the co-host of the Sports Profs, a weekly sports talk radio show on Simmons College internet Radio. Each week, Dr. Doherty with Dr. Daren Graves from the Education department talk sports as it intersects with race, gender, and class. “Real talk, with an academic twist.” When not at Simmons, Dr. Doherty enjoys watching and playing all sports with her two partners in crime, husband Mark and son, Donovan. She also enjoys music, reading, and really bad television.

Martha Mahard

Martha Mahard

Martha Mahard has more than three decades of professional experience with the Harvard University Libraries, including work in photography and visual collections at the Fine Arts Library, the Harvard Graduate School of Design, and the Harvard Theatre Collection of The Houghton Library. In addition to her numerous journal articles and presentations in the field of photographic archives, cultural heritage, and digital preservation, she is the co-author with Ross Harvey, of The Preservation Management Handbook: A 21st Century Guide for Libraries, Archives and Museums (published by Rowman and Littlefield in April 2014). With Michele Cloonan she was co-principal investigator for the IMLS (Institute of Library and Museum Services) Laura Bush 21st Century Librarians grant which supported the development and implementation of the Cultural Heritage Informatics concentration. She has served as a consultant on major projects for museums and libraries, including the Worcester Art Museum and the Boston Public Library, and is a current board member at the Northeast Document Conservation Center. Mahard received an M.A. in Theatre History from Tufts University, and her M.S. and D.A. from Simmons SLIS.

Martha Mahard's Curriculum Vitae

Eduardo Febles

Professor Febles, a native of Puerto Rico, received a B.A. in French and Political Economy from Tulane University, and an M.A. and Ph.D. in French Studies from Brown University. He also studied at L'École Normale Supérieure, L'Institut d'Études Politiques, and La Sorbonne in Paris. Before coming to Simmons, he taught at Goucher College and Brandeis University. His research focuses on the intersections between politics and literature, especially in 19th century France. He is the author of Explosive Narratives: Anarchy and Terrorism in the Works of Emile Zola, published by Rodopi Press in 2010. He also edited with his mother, Dr. María Vega de Febles, a collection of articles written by his grandfather entitled Crónicas Ejemplares and published by Ediciones Universal in 2010. He is presently working on a project about the connections between homophobia and anti-Semitism during the Dreyfus Affair. He is also the author of several scholarly articles, book reviews, and short stories.