Meet Our Faculty

Daniel Joudrey

Average class size: 18

Costello
Tamara Cadet

215

Full-time faculty members,
70% of whom are women.

Eileen Abels
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Student-to-faculty
ratio of 10:1

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“The faculty are extremely accessible. There’s the sense that we’re here for common goals.”

Kara Mellonakos '15HCMBA

Beverly Sealy
Stubbs

Judith Richland

Judith Richland has been teaching new media courses in the Communications Department at Simmons College since 2004. For the past four years she has won the Simmons President’s Diversity and Inclusion Advisory Council Grant (PDIAC) for her program Diversity in Film Genres: Empowering Young Women of Color and Looking at Attitude Changes in the Simmons Community”. For this program she invites accomplished international women filmmakers to screen their films and engage with the students. The program encourages students to discuss the films and attend workshops with these filmmakers in order to understand the diverse needs of women throughout the world. In 2014 she organized and initiated the first International Women’s Film Forum at Simmons College which was attended by 150 participants. These film programs have greatly inspired her students and she works with them closely and encourages them create their own films. Under her guidance in August 2014, two Saudi students launched “Takalamy: A Conversation with Young Saudi Females.” The film was of great interest to the Chronicle of Higher Education, who contacted her about the making of and content of the film.

In addition to screening films, she teaches video editing, shooting, motion graphics, graphic design and web design. In 2003 she completed her Masters of Fine Arts degree specializing in New Media from the Dynamic Media Institute at the Massachusetts College of Art and Design. She also possesses a Master of Fine Arts from Massachusetts College of Art and Design in Printmaking, a Masters in Art History from Boston University and an undergraduate BS degree in Human Development from Cornell University. She has also studied in rigorous programs in Graphic Design at the Boston Museum School, Comparative Media Studies at MIT (with Henry Jenkins), and Art and Visual Perception at Harvard University (with Rudolph Arnheim).

Judith Richland is no stranger to the Graphic Design world in Boston. She headed up one of the few women-owned design firms in Boston for 20 years designing websites and promotional marketing literature for MIT, Apple Computer, Lotus Development, Massachusetts General Hospital, IBM, Fidelity and many other Fortune 500 companies. Richland Design Associates received numerous awards and the firm’s work appears in many design publications. Judith Richland was the first woman president of the Boston Chapter of AIGA (American Institute of Graphic Arts) and served on numerous national panels as a representative of the Boston design community.

Daniel Joudrey

Daniel Joudrey

Daniel Joudrey, an expert in organizing information, joined the Simmons faculty in 2005 and teaches information organization and three separate cataloging courses. Prior to coming to Simmons, Joudrey was a teaching fellow and research assistant at the University of Pittsburgh for Dr. Arlene G. Taylor, a well-known cataloging authority. Joudrey was also a metadata policy intern at the Library of Congress. Before that, he worked for an international non-profit social services organization. He is lead author for the newly revised and expanded 11th edition of Introduction to Cataloging and Classification and co-author of the 3rd edition of The Organization of Information. Joudrey received his Ph.D. and MLIS from the University of Pittsburgh and his B.A. in theatre from George Washington University. He writes on education for cataloging and metadata, subject access, and other cataloging topics. He has been a member of the American Library Association for nearly 15 years.

Daniel Joudrey's Curriculum Vitae

Wanda Torres Gregory

My areas of teaching include contemporary philosophy, ethics, logic, nineteenth-century philosophy, and philosophy of language. A recipient of the 2001 Simmons College Dean’s Award for Excellence in Teaching, I have taught many different courses with the same objective of guiding students on the path of philosophy, the pursuit of wisdom. My mission as a teacher is to inspire students to think philosophically—to wonder, reflect, and reason methodically about the great problems. The synergy of my teaching and scholarship is reflected in my textbook as leading editor, World Ethics (CA: Wadsworth, 2003), which includes multicultural and feminist perspectives along with the European classics in one comprehensive anthology in ethics.

My scholarship is dedicated to the philosophy of language and I specialize in twentieth-century German philosopher, Martin Heidegger. In addition to professional presentations and journal articles that focus on Heidegger and compare his views with those of twentieth-century analytic philosophers W.V. Quine, Rudolf Carnap, and Ludwig Wittgenstein, I have published the following two co-translations of Heidegger's works on language: On the Essence of Language (NY: SUNY Press, 2004), which was nominated in the spring of 2005 for the German Translation Award presented by the American Translators Association; and Logic as the Question Concerning the Essence of Language (NY: SUNY Press, 2009), which was nominated for the Goethe Institute’s 2010 Helen and Kurt Wolff Translator’s Prize.

Maria Dolores Pelaez-Benitez

I am a native of Spain and hold a doctoral degree in Hispanic Literature from the Universidad Complutense in Madrid.  After teaching Spanish at Boston University, I joined the faculty of Simmons College in 1992, where I became Associate professor (1999) and Professor of Spanish (2010).

Tamara Cadet

Tamara Cadet

Tamara J. Cadet, Ph.D., L.I.C.S.W., M.P.H., is an Assistant Professor at the Simmons School of Social Work. She holds a faculty appointment at the Harvard School of Dental Medicine in Oral Health Policy and Epidemiology. Dr. Cadet chose Simmons to launch her academic career in July 2012, despite multiple...

Becky Thompson

Becky Thompson, Ph.D. is a scholar, poet, activist, and yoga teacher whose work focuses on trauma and healing. She is the author of several books on social justice including Survivors on the Yoga Mat: Stories for those Healing from Trauma, When the Center is on Fire: Passionate Social Theory for Our Times, (co-author, Diane Harriford); Mothering without a Compass: White Mother’s Love, Black Son’s Courage; A Hunger So Wide and So Deep: A Multiracial View of Women's Eating Problems, A Promise and a Way of Life and a recently published book of poetry, Zero is the Whole I Fall into at Night.  She is Professor and Chair of the Sociology Department at Simmons College and has taught at Duke University, Wesleyan University, the University of Colorado, Bowdoin College, and elsewhere. She has received numerous honors and awards, including from the Rockefeller Foundation, the National Endowment for the Humanities, the American Association for University Women, the Ford Foundation, Political Research Associates, the Creative Justice Poetry Prize, and the Gustavus Myers Award for Outstanding Books on Human Rights. Becky is a senior level yoga teacher (RYT-500) and teaches at conferences, workshops, in college classes, and community centers internationally and nationally.

Eileen Abels

Eileen Abels

As Dean of the Simmons School of Library and Information Science (SLIS), Eileen Abels brings more than 30 years of award-winning expertise in library and information science to the school to help prepare 21st century information professionals for work in libraries, archives, information institutions, and cultural heritage organizations. She has led a distinguished career as an educator and innovator. She is the recipient of the ALISE Award for Professional Contribution to Library and Information Science Education, the ASIS&T Thomas Reuters Outstanding Information Science Teacher award, the Special Libraries Association Rose L. Vormelker award, and the Medical Library Association's Ida and George Eliot prize, among others.

Prior to joining Simmons SLIS, Abels was the Associate Dean for Academic Affairs and Professor at the iSchool at Drexel, The College of Information Science and Technology. Specializing in digital reference, she oversaw ipl2, a digital library resulting from the merger of the Internet Public Library and the Librarian's Internet Index. Her current research interests focus on the future of reference services, libraries, and library and information science education.

Her leadership positions include serving as president of the Association for Library and Information Science Education (ALISE) and President of Beta Phi Mu (International Library & Information Studies Honor Society). She is widely published, including articles, conference proceedings, and book chapters. Abels has also edited several books and co-authored two books.

Abels also held a faculty position for 15 years at the University of Maryland's College of Information Studies and has been a librarian and information professional in special libraries, including the Instituto de Investigaciones Eléctricas in Mexico, Price Waterhouse's Washington National Tax Service, and Boston Consulting Group.

She obtained her MLS degree from the University of Maryland and her Ph.D. from UCLA. Abels received her bachelor's degree from Clark University.

Eileen Abels' Curriculum Vitae

Ellen Grabiner

I am currently the Chair of the Communications Department at Simmons College, in Boston, Massachusetts. I was hired fourteen years ago as an instructor quite simply because of my immersion in what were then the newest media in the communications field: the world wide web, digital imaging, and digital video editing. I was hired with the hope that I would help to bring the department into the 21st century, both in terms of preparing the communications students for the world that awaited them, but also in terms of helping them to explore, articulate and question the tremendous changes in media that surrounded them.

Fast-forward fourteen years and we are all still reeling from the accelerating speed at which new media has evolved. There is not a corner in the developed world today that has remained untouched by this gargantuan moving target of change. As a department that understands communication as a discipline that not only utilizes media but also critiques it, at Simmons we have embraced an approach that emphasizes media convergence: we employ new media to observe, explore, question, track, and understand new media. At the same time, we encourage our students to inhabit a meta-space in which they can approach the study of new media through philosophical, theoretical, political, social, technological, and aesthetic lenses.

My work as an educator, mentor, and developer of curricular initiatives includes co-design and co-direction of Simmons’ interdisciplinary minor in Cinema and Media Studies, my pioneering work in the first learning communities as part of the Simmons Honors program, my development of courses in cinema and media theory, storytelling, digital cultures and communications technologies, and my design and leadership of an intensive January course at Simmons called the World Challenge. In this short course that occurs over intersession, students work together in self-guided, faculty supported teams to solve a pressing social/political/environmental problem and develop actionable solutions which they then present to potential funders. The World Challenge I co-taught with Professor Nanette Veilleux and Professor Laura Saunders of SLIS, was entitled, “Would I Lie to You?” and responded to the problematic of the role of media/information today. Many of the solutions the students developed relied on social media, including concepts for mobile apps to alter the ways in which we access and share information.

Edith Bresler

My photo-based practice includes text, sound and installation. Currently I am examining American communities through the lens of state-run lotteries. My projects have been featured on the PBS show Greater Boston with Emily Rooney, Business Insider, Lenscratch, Photo District News and Virgin Australia Magazine.

Stubbs

Amber Stubbs

Amber Stubbs graduated from Simmons College in 2005 with an B.S. in Computer Science and English, then attended Brandeis University where she earned her Ph.D. in Computer Science, specifically in the field of natural language processing. While at Brandeis she co-authored a book, Natural Language Annotation for Machine Learning (O’Reilly, 2012) with James Pustejovksy.

Her doctoral dissertation, "A Methodology for Using Professional Knowledge in Corpus Annotation," involved creating an annotation methodology to extract high-level information — such a hospital patient's medical diagnosis — from narrative texts. As part of that research, she also developed the Multi-Purpose Annotation Environment (MAE) and Multi-document Adjudication Interface (MAI) software, which is used at institutions around the world for natural language processing research.

After completing her Ph.D., Amber worked as a Postdoctoral Associate under Ozlem Uzuner at the State University of New York at Albany.  During that time, she worked on the 2014 i2b2 Natural Language Processing Shared Task, which focused on recognizing risk factors for heart disease in medical records, as well as the identification and removal of personal information about patients from their records.

Amber became an Assistant Professor at Simmons College in 2014, where she teaches courses in both the Computer Science and LIS programs.  She is delighted to be back at Simmons, and enjoys helping students understand technology and how to make it work for them.

Amber Stubbs' Curriculum Vitae

Bridget Lynch

As an artist, B. Lynch, has been working with the topic of folly for many years. Her theatrical installations of the Folly pantheon have been shown at many solo exhibitions in New England. Her new project: The Red and the Grey showed at two venues in 2013.

Lynch has been combining digital and other media for several years, including "Tragical, Comical"... an installation with video and a site-specific labyrinth at the Grimshaw-Gudewicz Gallery in Fall River MA in 2008.  She presented a mixed media and video installation, Truth & Folly at UMass Amherst November 2004. Chain of Fools: Hogarth Reinterpreted by B. Lynch, a mixed media and video installation at University of New Hampshire. January 2006 her project Just a Pack of Cards, with the Open Studio Program was on view at the Currier Museum in Manchester NH. Other shows of note are: the Throne Project 2003, Museum of Fine Arts Boston, Fool’s Progress, Eastern CT State University;The Game of Folly, The Art Complex Museum; and Plucked Fruit, Montserrat College of Art. Lynch has shown extensively in group shows, including The Chicken Show at the Boston Center for the Arts; as well as shows in Germany and the Midwest. Her popular lectures on the topic of Folly and art have been given at many universities and colleges.

Nevada, California, Texas and Alaska have played host to her videos and sound projects from 2011-2012. Video projects were screened at the Carnegie Museum in Pittsburg, University of California Chico State, Lexington Art League among others. The Artist Foundation, Boston, premiered her solo video project: The Lunar Cycle 1 in November 2009.  Studio Green Gallery in Munich Germany premiered two videos in Fall 2009. Miss Kittikins... is included in Creatures Great & Small, a show originating at Murray State College in Kentucky, it has a catalog and traveled to Paducah and Lexington Ky.  
 
The Virginia Center for the Creative Arts awarded her a fellowship in 2008. She has won several awards for her projects, including a Puffin Grant and Ludwig Vogelstein award. She is a co-founder of the Hall Street Artist Collaborative, which produced two outdoor video screenings. Her bibliography includes reviews in Sculpture Magazine, ART New England, the Boston Globe, the Boston Herald, the Patriot Ledge, the Wire and others, as well as several exhibition catalogues, and two cable TV presentations. She is included in the Springfield Ohio Museum of Art; The Boston Public Library, Boston; the Art Complex Museum, Duxbury, MA; Eastern Connecticut State University Collection; University of NH Art Museum; Private collections in the USA, Germany and Sweden.

Critics say of her work: “Created with compassion, originality and wit, Lynch’s tableaux are metaphors for society.”—Alicia Faxon Art New England. "Lynch has inspiration and intellect to spare. Her installation embraces the illogic of chance, double dealing, and rule breaking that too often define our lives. Her work also includes the overt nod to Dada and recalls Duchamp's passion for chess."—John Stomberg ART New England.