Meet Our Faculty

Average class size: 18

Martha Mahard
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Katherine Jung Reis

215

Full-time faculty members,
70% of whom are women.

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Student-to-faculty
ratio of 10:1

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“The faculty are extremely accessible. There’s the sense that we’re here for common goals.”

Kara Mellonakos '15HCMBA

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Valerie Leiter

Val Leiter teaches courses on medical sociology, research methods, and sociology of childhood and youth—these topics dovetail with her research on children and youth with disabilities, medicalization, and gender and health. She received the Irving K. Zola award for Emerging Scholars in Disability Studies in 2004 for her work on "Parental Activism, Professional Dominance, and Early Childhood Disability." Her first book, Their Time Has Come: Youth with Disabilities on the Cusp of Adulthood, was published in 2012, a result of her William T. Grant Foundation Scholars project on the “Transition to Adulthood Among Youth with Disabilities.” The Sociology of Health & Illness: Critical Perspectives (9th edition), co-edited with Peter Conrad, was also published in 2012.

She is active in the Society for the Study of Social Problems and the American Sociological Association, where she has multiple leadership positions, including membership on ASA’s Committee on Professional Ethics and the Editorial Advisory Board of Social Problems. On campus, Val is the Co-Chair of the Institutional Review Board, Co-Director of the Public Health program, and a member of the steering committee for the Master in Public Policy program.

Val mentors several students each year on their independent research projects. Right now, she is working with Sidney Jean (Public Health) on her senior thesis on women’s body images, Renata Bule (Public Health) on her senior thesis on health care for refugees and asylees, Mary Harrington (Public Health) on the role of faith and spirituality in medical care, Sarah Hewitt (Master in Public Policy) on calorie count menu policies, Youjin Kim (Sociology) on youth culture in Korea, and Danielle Funk (Master in Gender and Cultural Studies) on STDs among women who have sex with women.

Val is also a dedicated student of Iyengar yoga, learning from multiple teachers in the Boston area.

Margaret Menzin

I have a joint appointment in both the Mathematics & Statistics and the Computer Science & Informatics programs.

Naturally, I am also interested in where those fields intersect – including cryptography and “big data” – and in pedagogical issues related to those fields.  

Afaa Weaver

Afaa Michael Weaver (Michael S. Weaver) was born in Baltimore, Maryland, where he graduated from Baltimore Polytechnic Institute at the age of sixteen as a National Merit finalist. After two years at the University of Maryland, he entered fifteen years of factory work, during which time he wrote and published.

During the Vietnam War, Professor Weaver served honorably in the 342nd Army Security Agency of the Army Reserves. He ended that period of blue collar factory work in 1985, when he received an NEA fellowship in poetry. In that same year Professor Weaver entered Brown University's graduate writing program on a full university fellowship. While completing his M.A. at Brown, he also completed his B.A. in Literature in English at Excelsior College.

Later Professor Weaver taught at Essex County College, Seton Hall Law School, New York University, Brooklyn College, and Borough of Manhattan Community College. He came to Simmons in 1998, after receiving tenure with distinction at Rutgers University. At Simmons he is a tenured full professor and holds the Alumnae Endowed Chair, the first chair to be established at the college and one that is reserved for working writers.

In addition to the NEA, Professor Weaver has received several awards over the years, including the Kingsley Tufts Poetry Award (2014), May Sarton Award (2010), several Pushcart Prizes (2008, 2013, 2014), a Pew fellowship (1998), a Pennsylvania Council on the Arts fellowship (1994), and a Fulbright appointment as a scholar (2002) at National Taiwan University and Taipei National University of the Arts.

He is the author of numerous books of poetry, a collection of essays which he edited, several essays and articles in various academic and trade publications, and short fiction. As a freelance journalist he has written for the Baltimore Sunpapers, Baltimore Afro-American, The Philadelphia Tribune, The Boston Globe, The Chicago Tribune, The Baltimore City Paper, and The Philadelphia Sun. He has been the editor of Obsidian III at North Carolina State University, and the editor and founder of 7th Son Press in Baltimore.

At Brown, Professor Weaver focused on playwriting and theatre. His master's thesis was a full length play entitled Rosa, which was produced professionally in 1993 at Venture Theater in Philadelphia. In that same year he won the PDI Award in playwriting from ETA Theatre in Chicago, Illinois. He is the author of several other plays, including Berea, which has received two staged readings, one in Chicago and one in Philadelphia.

Dr. Henry Louis Gates of Harvard University has described Professor Weaver as "...one of the most significant poets writing today." Ed Ochester, professor emeritus at University of Pittsburgh has said Professor Weaver is "...the African American successor to Walt Whitman."

Professor Weaver studies Chinese on an ongoing basis, and in 2005 he tested successfully in the intermediate level of fluency in Speaking, Reading, and Writing at the Taipei Language Institute in Taipei, Taiwan. He has convened two international conferences on contemporary Chinese poetry at Simmons and, in that way, given the college an international presence in the world of Chinese poetry. In 2005 he was awarded a gold friendship medal from the Chinese Writers' Association in Beijing, China.

Professor Weaver's papers are held in repository at the Howard Gotlieb Archival Research Center at Boston University.

Kirk Beattie

My name is Kirk James Beattie (pronounced bay-tee). I grew up in a small, mostly suburban town called Clarkston on the far northern edge of metropolitan Detroit, Michigan. I attended an excellent, private college, Kalamazoo College, in Kalamazoo, Michigan as an undergraduate. I majored in Political Science, and minored in French. I went to southern France on a junior year abroad program, and was totally smitten. I returned to France to conduct my senior thesis on a topic suggested by my college advisor, and about which I knew nothing: French foreign policy in the Middle East. This is literally how my lifelong interest in Middle East and North African politics began. At the time, the U.S. had no diplomatic relations with most countries in the region, a situation I felt could not last because of American allies’ energy needs, if not those of the U.S. Still enamored with France, I returned there for nine months following graduation from college. I audited Arabic and sat in on Political Science courses at the Institut d’Etudes Politiques in Aix-en-Provence.

During my third stay in France, I applied to graduate school programs in Political Science, and was accepted at The University of Michigan, the #2 program in the U.S. Over time I specialized in Comparative Politics, having acquired the impression that this subfield placed greater emphasis on understanding people’s concerns, beliefs and sentiments than did the International Relations subfield. Because I have a great fondness for foreign languages, and have been relatively adept at their acquisition, I went on to apply for various language grants and fellowships over the coming years, all of which either assisted me to pay for my graduate studies at Michigan in first Arabic, then Persian, and/or enabled me to seek admission to special, federally funded foreign study programs, such as the Tunisian Summer Study program, or the Center for Arabic Study Abroad program in Cairo, Egypt. I was fortunate to be selected for participation in these nationally competitive programs, as well as to be the recipient of several other national grants, such as an International Rotary Foundation Fellowship, and two Fulbright fellowships, that permitted me lengthy stays in Egypt or France.

Martha Mahard

Martha Mahard

Martha Mahard has more than three decades of professional experience with the Harvard University Libraries, including work in photography and visual collections at the Fine Arts Library, the Harvard Graduate School of Design, and the Harvard Theatre Collection of The Houghton Library. In addition to her numerous journal articles and presentations in the field of photographic archives, cultural heritage, and digital preservation, she is the co-author with Ross Harvey, of The Preservation Management Handbook: A 21st Century Guide for Libraries, Archives and Museums (published by Rowman and Littlefield in April 2014). With Michele Cloonan she was co-principal investigator for the IMLS (Institute of Library and Museum Services) Laura Bush 21st Century Librarians grant which supported the development and implementation of the Cultural Heritage Informatics concentration. She has served as a consultant on major projects for museums and libraries, including the Worcester Art Museum and the Boston Public Library, and is a current board member at the Northeast Document Conservation Center. Mahard received an M.A. in Theatre History from Tufts University, and her M.S. and D.A. from Simmons SLIS.

Martha Mahard's Curriculum Vitae

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Nanette Veilleux

Nanette Veilleux is a professor in the computer science and information technology department. Her research interests include primary research in computational models of speech, as well as investigations of pedagogical methods in STEM education. The first topic involves primary research into the categories of English prosody (emphasis and phrasing) and can be used to improve automatic speech understanding. The later topic involves an approach to pedagogy that is not only effective to convey discipline knowledge but also encourages students to remain and thrive in their disciplines. She is currently principle investigator on two collaborative NSF funded grants.

Nanette Veilleux's Curriculum Vitae


Katherine Jung Reis

Katherine Jungreis

I am delighted to be beginning my fifth year as a full time faculty member after 23 years as an adjunct here at Simmons School of Social Work. When then Professor Sophie Freud initially suggested that I teach the Psychopathology course (now Assessment and Diagnosis) while I was a doctoral candidate at Simmons, I told her that I had never really considered teaching and wasn’t sure it was such a good idea. She countered with, “this is an offer you can’t refuse” and her wisdom was clear as I quickly found that teaching became one of the greatest pleasures of my social work career. 

Following graduation from Smith School for Social Work, I worked for almost twenty years at a community mental health center in a poor and working class town. My clinical work was with adults, families, groups and emergency services and I dealt with a variety of issues including many people with severe mental illness and their families. During that time Cambodian refugees moved into the community and we were actively involved in trying to provide culturally meaningful mental health services to them.

Like many others in our field, the direction of my work has been constantly evolving. Initially after graduation, I received training and became very involved with family therapy. Later, as I became more attuned to connecting the various parts of myself in my work, I wove in my curiosity about integrating spiritual/religious issues and psychotherapy. I joined the Jewish Therapists Network and taught in the Certificate Program for Jewish Communal and Clinical Social Work at Simmons. Other areas of special interest to me have included social work ethics, working with couples, mindfully connecting theory to practice and the use of movies as a powerful learning tool. Appreciating the meaning of work and the workplace was a central focus during the ten years that I consulted to the staff at the Federal Employee Assistance Program.

Most recently, I have been intrigued with relational aspects of social work supervision. I have given presentations and consulted on this topic and in the summers I teach in the Certificate Program for Advanced Clinical Supervision at Smith School for Social Work. While I no longer supervise students and staff in an agency setting, I have been able to continue a significant amount of clinical consultation to practitioners as well as consulting to staff at South Shore Mental Health Center which afforded me the ability to work again in a community mental health setting.

I believe that to most effectively teach I need to be directly involved in the work and that my ongoing clinical experiences enrich the learning in the classroom. I have found Simmons to be a wonderfully supportive, interesting and committed community that truly cares about helping students to be skillful, thoughtful and caring social workers. I am excited to be part of this community and to contribute to the professional growth of future social workers.


James Corcoran

James Corcoran, an associate professor in the Department of Communications, is the author of two books on domestic terrorism. The first, Bitter Harvest: The Birth of Paramilitary Terrorism in the Heartland, examined the rise of the anti-tax movement in rural America embodied by extremists groups such as the Posse Comitatus. NBC-TV turned the book, which was based on Corcoran's Pulitzer Prize nominated coverage of the murders of three U.S. marshals by a militant tax protest group, into a made-for-television movie, starring Rod Steiger, entitled "In the Line of Duty: Manhunt in the Dakotas." Bitter Harvest received the Gustav Meyers Center's award for Outstanding Book on the subject of human rights and the Golden Pen Award. Penguin Press reissued it with a new foreword in 1995 following on the Oklahoma City bombing. A third edition was reissued in 2005.

His second book, Gathering Storm: America's Militia Threat, was co-authored with Morris Dees, founder of the Southern Poverty Law Center. Written after the Oklahoma City bombing, it traced the growth and impact of hate groups, militias, and racist demagogues.

Corcoran is a member of the United Nations' "Roster of Experts on Terrorism and Related Phenomena" and a recipient of the Bush Foundation Leadership Award, which is awarded annually to no more than 20 people who are considered of "substantial standing" in their fields. During his 10-year career as a journalist, which included work for The Forum of Fargo-Moorhead and Newsweek, Corcoran received more than 24 state, regional, and national writing awards.

Janie Ward

I am the co-editor of three books, Mapping the Moral Domain: A Contribution of Women’s Thinking to Psychological Theory and Research (Harvard University Press, 1988), Souls Looking Back: Life Stories of Growing Up Black (Routledge, 1999) and Gender and Teaching, with Frances Maher, published in 2001 by Lawrence Erlbaum. I also wrote the book, The Skin We're In: Teaching Our Children to be Emotionally Strong, Socially Smart and Spiritually Connected (Free Press/Simon and Schuster, 2000). 

In 1990-92 I was the recipient of a Rockefeller Foundation Postdoctoral Fellowship at the Center for the Study of Black Literature and Culture, University of Pennsylvania, and in 1996-97 I was a Visiting Scholar at the Wellesley College Centers for Women. From 2000-2003, I served as the Director for the Alliance on Gender, Culture and School Practice at Harvard Graduate School of Education. With Harvard Professor Wendy Luttrell, I was Co-Principal Investigator of Project ASSERT, a five-year school based research study and curriculum development project exploring issues of gender, culture and school practice for urban elementary and middle school teachers. This project ended in 2006.

Jo Trigilio

Jo Trigilio received her Ph.D. in Philosophy with a concentration in Feminist Theory from the University of Oregon. Professor Trigilio has a special interest in the intersection of theory and practice. She specializes in oppression/liberation theories, including feminist and gender theories, race theories, and queer theory.

She is politically active in the queer community of Boston. Professor Trigilio has served on the board of directors for the National Women's and Gender Studies Association for six years. She is currently leading The Boston Dyke March History and Archive Project.

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George Coggeshall

Dr. Coggeshall joined the Simmons College PT Faculty in 2008.  He has over 35 years of physical therapy practice with experience in a variety of settings.  George’s primary teaching responsibilities at Simmons College include Cardiovascular and Pulmonary PT and Physical Therapy Management.  His background includes; PTA Program Chair at Bay State College, Director of Rehabilitation Services at Massachusetts Respiratory Hospital and he has owned and managed a private practice.   Dr. Coggeshall continues to actively practice physical therapy at the Brigham and Women's Hospital with a primary clinical focus of cardiovascular and pulmonary physical therapy. George’s extensive professional service includes; President of the Massachusetts Chapter of the APTA 2010-2013 and continues to serve as a national delegate to the APTA House of Delegates.

George’s academic degrees include; BS Biology - University of Rhode Island, MSPT - Boston University and DPT - Sacred Heart University.


Erica Gunn

I am perhaps an unlikely chemist. Naturally inclined to music and language rather than science, I struggled with the basic mechanics of understanding chemistry. After failing my first chemistry test in high school, I knew that I would hate the topic forever. Achieving high final grades in both accelerated. . .

Judith Richland

Judith Richland has been teaching new media courses in the Communications Department at Simmons College since 2004. For the past four years she has won the Simmons President’s Diversity and Inclusion Advisory Council Grant (PDIAC) for her program Diversity in Film Genres: Empowering Young Women of Color and Looking at Attitude Changes in the Simmons Community”. For this program she invites accomplished international women filmmakers to screen their films and engage with the students. The program encourages students to discuss the films and attend workshops with these filmmakers in order to understand the diverse needs of women throughout the world. In 2014 she organized and initiated the first International Women’s Film Forum at Simmons College which was attended by 150 participants. These film programs have greatly inspired her students and she works with them closely and encourages them create their own films. Under her guidance in August 2014, two Saudi students launched “Takalamy: A Conversation with Young Saudi Females.” The film was of great interest to the Chronicle of Higher Education, who contacted her about the making of and content of the film.

In addition to screening films, she teaches video editing, shooting, motion graphics, graphic design and web design. In 2003 she completed her Masters of Fine Arts degree specializing in New Media from the Dynamic Media Institute at the Massachusetts College of Art and Design. She also possesses a Master of Fine Arts from Massachusetts College of Art and Design in Printmaking, a Masters in Art History from Boston University and an undergraduate BS degree in Human Development from Cornell University. She has also studied in rigorous programs in Graphic Design at the Boston Museum School, Comparative Media Studies at MIT (with Henry Jenkins), and Art and Visual Perception at Harvard University (with Rudolph Arnheim).

Judith Richland is no stranger to the Graphic Design world in Boston. She headed up one of the few women-owned design firms in Boston for 20 years designing websites and promotional marketing literature for MIT, Apple Computer, Lotus Development, Massachusetts General Hospital, IBM, Fidelity and many other Fortune 500 companies. Richland Design Associates received numerous awards and the firm’s work appears in many design publications. Judith Richland was the first woman president of the Boston Chapter of AIGA (American Institute of Graphic Arts) and served on numerous national panels as a representative of the Boston design community.

Bridget Lynch

As an artist, B. Lynch, has been working with the topic of folly for many years. Her theatrical installations of the Folly pantheon have been shown at many solo exhibitions in New England. Her new project: The Red and the Grey showed at two venues in 2013.

Lynch has been combining digital and other media for several years, including "Tragical, Comical"... an installation with video and a site-specific labyrinth at the Grimshaw-Gudewicz Gallery in Fall River MA in 2008.  She presented a mixed media and video installation, Truth & Folly at UMass Amherst November 2004. Chain of Fools: Hogarth Reinterpreted by B. Lynch, a mixed media and video installation at University of New Hampshire. January 2006 her project Just a Pack of Cards, with the Open Studio Program was on view at the Currier Museum in Manchester NH. Other shows of note are: the Throne Project 2003, Museum of Fine Arts Boston, Fool’s Progress, Eastern CT State University;The Game of Folly, The Art Complex Museum; and Plucked Fruit, Montserrat College of Art. Lynch has shown extensively in group shows, including The Chicken Show at the Boston Center for the Arts; as well as shows in Germany and the Midwest. Her popular lectures on the topic of Folly and art have been given at many universities and colleges.

Nevada, California, Texas and Alaska have played host to her videos and sound projects from 2011-2012. Video projects were screened at the Carnegie Museum in Pittsburg, University of California Chico State, Lexington Art League among others. The Artist Foundation, Boston, premiered her solo video project: The Lunar Cycle 1 in November 2009.  Studio Green Gallery in Munich Germany premiered two videos in Fall 2009. Miss Kittikins... is included in Creatures Great & Small, a show originating at Murray State College in Kentucky, it has a catalog and traveled to Paducah and Lexington Ky.  
 
The Virginia Center for the Creative Arts awarded her a fellowship in 2008. She has won several awards for her projects, including a Puffin Grant and Ludwig Vogelstein award. She is a co-founder of the Hall Street Artist Collaborative, which produced two outdoor video screenings. Her bibliography includes reviews in Sculpture Magazine, ART New England, the Boston Globe, the Boston Herald, the Patriot Ledge, the Wire and others, as well as several exhibition catalogues, and two cable TV presentations. She is included in the Springfield Ohio Museum of Art; The Boston Public Library, Boston; the Art Complex Museum, Duxbury, MA; Eastern Connecticut State University Collection; University of NH Art Museum; Private collections in the USA, Germany and Sweden.

Critics say of her work: “Created with compassion, originality and wit, Lynch’s tableaux are metaphors for society.”—Alicia Faxon Art New England. "Lynch has inspiration and intellect to spare. Her installation embraces the illogic of chance, double dealing, and rule breaking that too often define our lives. Her work also includes the overt nod to Dada and recalls Duchamp's passion for chess."—John Stomberg ART New England.