Meet Our Faculty

Average class size: 18

Gerald Benoit
volkman

215

Full-time faculty members,
70% of whom are women.

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Student-to-faculty
ratio of 10:1

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“The faculty are extremely accessible. There’s the sense that we’re here for common goals.”

Kara Mellonakos '15HCMBA

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Catherine Paden

Catherine Paden (PhD, Northwestern University) is Associate Professor and Chair of Political Science at Simmons College. Her research and teaching interests focus on racial politics, social movements, interest groups, and how underrepresented groups gain political representation. She is the author of Civil Rights Advocacy on Behalf of the Poor (2011, pb 2013), which assesses whether, and how, low-income African Americans gain representation in anti-poverty legislative battles. Her current research examines the impact of local civil rights and economic justice organizing on national policy and interest group priorities. She has published her research in the DuBois Review and has contributed research on the Nation of Islam to a volume on religion and American politics (University of Virginia, 2012). At Simmons, Paden serves as the Faculty Assistant to the Dean on Diversity Initiatives, on the Dean's Diversity Task Force, and on the President's Diversity and Inclusion Advisory Council (PDIAC).

Judith Richland

Judith Richland has been teaching new media courses in the Communications Department at Simmons College since 2004. For the past four years she has won the Simmons President’s Diversity and Inclusion Advisory Council Grant (PDIAC) for her program Diversity in Film Genres: Empowering Young Women of Color and Looking at Attitude Changes in the Simmons Community”. For this program she invites accomplished international women filmmakers to screen their films and engage with the students. The program encourages students to discuss the films and attend workshops with these filmmakers in order to understand the diverse needs of women throughout the world. In 2014 she organized and initiated the first International Women’s Film Forum at Simmons College which was attended by 150 participants. These film programs have greatly inspired her students and she works with them closely and encourages them create their own films. Under her guidance in August 2014, two Saudi students launched “Takalamy: A Conversation with Young Saudi Females.” The film was of great interest to the Chronicle of Higher Education, who contacted her about the making of and content of the film.

In addition to screening films, she teaches video editing, shooting, motion graphics, graphic design and web design. In 2003 she completed her Masters of Fine Arts degree specializing in New Media from the Dynamic Media Institute at the Massachusetts College of Art and Design. She also possesses a Master of Fine Arts from Massachusetts College of Art and Design in Printmaking, a Masters in Art History from Boston University and an undergraduate BS degree in Human Development from Cornell University. She has also studied in rigorous programs in Graphic Design at the Boston Museum School, Comparative Media Studies at MIT (with Henry Jenkins), and Art and Visual Perception at Harvard University (with Rudolph Arnheim).

Judith Richland is no stranger to the Graphic Design world in Boston. She headed up one of the few women-owned design firms in Boston for 20 years designing websites and promotional marketing literature for MIT, Apple Computer, Lotus Development, Massachusetts General Hospital, IBM, Fidelity and many other Fortune 500 companies. Richland Design Associates received numerous awards and the firm’s work appears in many design publications. Judith Richland was the first woman president of the Boston Chapter of AIGA (American Institute of Graphic Arts) and served on numerous national panels as a representative of the Boston design community.

Gerald Benoit

Gerald Benoit

Professor Benoit directs the Information Science & Technology Concentration at SLIS and teaches undergraduate computer science, graduate information science, and doctoral-level classes. Prior to entering the academic world, he worked as a rare materials librarian, later settling into programming/analysis and even started the marketing firm, Imada Wong Park + Benoit. Prof Benoit’s work experience and research interests aim at improving the human experience through ethical, technically-informed, and purposeful application of information systems. Consequently, his service, research, and teaching activities integrate the sciences and arts of information. Students in his courses learn standards, hands-on competencies, interoperability of data, professional and scholarly communication to fulfill their own career interests while addressing real-world needs. His work is framed by the philosophy of language, aesthetics, computation, and the emancipatory use of technology. Working with colleagues, Benoit’s research studies the innovation and management of new systems.

Some research projects focus on multilingual issues; others on visual resources; some on digital object repurposing in data-rich settings. All are designed to let students participate and apply their knowledge to their own projects. Active projects include the information science virtual lab, innovation and information discovery, information aesthetics and visualization. The lab’s collections include images from the Boston Public Library’s digital collection, metadata records, social tags and expert text. The whole is a research platform to generate data for retrieval algorithm design, human information seeking behavior, and innovative interfaces.

Since 2004, Benoit has organized a research and discussion colloquium, referred to as the “Lunchtime Lectures”. In 2012, he proposed and lead the Simmons Study Abroad Program in Rome (2013) and Paris (2014).

Gerald Benoit's Curriculum Vitae

Margaret Menzin

I have a joint appointment in both the Mathematics & Statistics and the Computer Science & Informatics programs.

Naturally, I am also interested in where those fields intersect – including cryptography and “big data” – and in pedagogical issues related to those fields.  

Heather Hole

Heather Hole is Assistant Professor of Arts Administration and Art History in the Department of Art and Music at Simmons College. She is the author of the book Marsden Hartley and the West: The Search for An American Modernism, published by Yale University Press, and the curator of the traveling exhibition of the same name. In her previous position as curator at the Museum of Fine Arts, Boston, she played a key role in planning and installing the new Art of the Americas Wing, which opened in November of 2010. 

Alister Inglis

Alister Inglis is the Freeman Associate Professor of Chinese Language and Literature. Prior to joining Simmons, he taught at the University of Melbourne, Australia.

His research focuses on Chinese traditional short stories of the Song (960-1276) and Yuan (1276-1368) dynasties. Inglis is best known for his translations of classical Chinese literature and also for his extensive research on Hong Mai's (1123-1202) Record of the Listener (Yijian zhi). This famous twelfth century text has become an essential primary source for historians conducting research on twelfth century society given the attention its short narratives pay to the lives of ordinary people; i.e., material that is often ignored by official history. Inglis' first monograph, Hong Mai's Record of the Listener and its Song Dynasty Context (NY: SUNY Press, 2006), is the first monograph-length study in English about this famous text.

Inglis is furthermore interested in fine art and practices various styles of Chinese calligraphy. He specializes in the "slender-gold" script which was made famous by emperor Huizong (r. 1100-1126) of the Song dynasty.

Stephen Ortega

My name is Steve Ortega, and I teach in the History Department at Simmons College. I have a Bachelor’s degree from New York University, a Master’s degree from Harvard University and a PhD. from the University of Manchester in the United Kingdom. I am the director of the History MA program, which includes...

Bridget Lynch

As an artist, B. Lynch, has been working with the topic of folly for many years. Her theatrical installations of the Folly pantheon have been shown at many solo exhibitions in New England. Her new project: The Red and the Grey showed at two venues in 2013.

Lynch has been combining digital and other media for several years, including "Tragical, Comical"... an installation with video and a site-specific labyrinth at the Grimshaw-Gudewicz Gallery in Fall River MA in 2008.  She presented a mixed media and video installation, Truth & Folly at UMass Amherst November 2004. Chain of Fools: Hogarth Reinterpreted by B. Lynch, a mixed media and video installation at University of New Hampshire. January 2006 her project Just a Pack of Cards, with the Open Studio Program was on view at the Currier Museum in Manchester NH. Other shows of note are: the Throne Project 2003, Museum of Fine Arts Boston, Fool’s Progress, Eastern CT State University;The Game of Folly, The Art Complex Museum; and Plucked Fruit, Montserrat College of Art. Lynch has shown extensively in group shows, including The Chicken Show at the Boston Center for the Arts; as well as shows in Germany and the Midwest. Her popular lectures on the topic of Folly and art have been given at many universities and colleges.

Nevada, California, Texas and Alaska have played host to her videos and sound projects from 2011-2012. Video projects were screened at the Carnegie Museum in Pittsburg, University of California Chico State, Lexington Art League among others. The Artist Foundation, Boston, premiered her solo video project: The Lunar Cycle 1 in November 2009.  Studio Green Gallery in Munich Germany premiered two videos in Fall 2009. Miss Kittikins... is included in Creatures Great & Small, a show originating at Murray State College in Kentucky, it has a catalog and traveled to Paducah and Lexington Ky.  
 
The Virginia Center for the Creative Arts awarded her a fellowship in 2008. She has won several awards for her projects, including a Puffin Grant and Ludwig Vogelstein award. She is a co-founder of the Hall Street Artist Collaborative, which produced two outdoor video screenings. Her bibliography includes reviews in Sculpture Magazine, ART New England, the Boston Globe, the Boston Herald, the Patriot Ledge, the Wire and others, as well as several exhibition catalogues, and two cable TV presentations. She is included in the Springfield Ohio Museum of Art; The Boston Public Library, Boston; the Art Complex Museum, Duxbury, MA; Eastern Connecticut State University Collection; University of NH Art Museum; Private collections in the USA, Germany and Sweden.

Critics say of her work: “Created with compassion, originality and wit, Lynch’s tableaux are metaphors for society.”—Alicia Faxon Art New England. "Lynch has inspiration and intellect to spare. Her installation embraces the illogic of chance, double dealing, and rule breaking that too often define our lives. Her work also includes the overt nod to Dada and recalls Duchamp's passion for chess."—John Stomberg ART New England. 


Becky Thompson

Becky Thompson, Ph.D. is a scholar, poet, activist, and yoga teacher whose work focuses on trauma and healing. She is the author of several books on social justice including Survivors on the Yoga Mat: Stories for those Healing from Trauma, When the Center is on Fire: Passionate Social Theory for Our Times, (co-author, Diane Harriford); Mothering without a Compass: White Mother’s Love, Black Son’s Courage; A Hunger So Wide and So Deep: A Multiracial View of Women's Eating Problems, A Promise and a Way of Life and a recently published book of poetry, Zero is the Whole I Fall into at Night.  She is Professor and Chair of the Sociology Department at Simmons College and has taught at Duke University, Wesleyan University, the University of Colorado, Bowdoin College, and elsewhere. She has received numerous honors and awards, including from the Rockefeller Foundation, the National Endowment for the Humanities, the American Association for University Women, the Ford Foundation, Political Research Associates, the Creative Justice Poetry Prize, and the Gustavus Myers Award for Outstanding Books on Human Rights. Becky is a senior level yoga teacher (RYT-500) and teaches at conferences, workshops, in college classes, and community centers internationally and nationally.

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Rong Tang

Rong Tang received her doctorate from the School of Information and Library Science, University of North Carolina Chapel Hill. She has taught evaluation of information services, technology for information professionals, library automation systems, digital information services and providers...

Maria Dolores Pelaez-Benitez

I am a native of Spain and hold a doctoral degree in Hispanic Literature from the Universidad Complutense in Madrid.  After teaching Spanish at Boston University, I joined the faculty of Simmons College in 1992, where I became Associate professor (1999) and Professor of Spanish (2010).

Mary Jane Treacy

I am a Professor of Spanish Language and Literatures as well as Director of the Honors Program. I wrote a doctoral dissertation on drama, the emergence of comedy, in 16th-century Spain with an emphasis on the comedia of Lope de Vega. Soon after this, I turned to the other face of Spanish theatre: the famous wife-murder plays of Lope de Vega and Pedro Calderón de la Barca and from there to violence (state violence as well as violence against women) in Latin American and Spanish literature.

Violence took me directly to Latin American experiences of the 60s - 90s to see how literature and film attempted to make sense of political upheaval and state violations of human rights. I also examined how personal writings—autobiography, essays, interviews—by members of guerrilla movements explained and framed their participation and use of violence to bring about social change. My particular interest was, and remains, in how women joined these forces and how they explain their experiences as gendered (or not).

Interest in social movements took me from Latin American guerrilla organizations to U.S. social movements. I was given the opportunity to teach Roots of Feminism in the WGST program. Soon after, I joined Reacting to the Past, a group of historians and political scientists centered at Barnard College who design role-playing games for college courses in a variety of fields. I saw that their approach was one that would ideally suit the Roots course, except that I was going to have to write it myself. So I did. Greenwich Village 1913: Suffrage, Labor and the New Woman has now been featured at many national conferences and is played in universities throughout the United States.