Music courses cover a wide range, including music history, theory, and performance (through an inter-institutional agreement with the New England Conservatory of Music.) The music program at Simmons is an academically oriented one designed for liberal arts students who study music as a humanistic pursuit; examining prevailing musical, social and expressive influences from diverse eras and cultures.
My professional life has been divided into two areas, performer and teacher. Luckily, one enhances the other. For many years I performed a great deal of piano solo repertoire, a piano concerto and chamber music with colleagues in Boston, around New England and beyond. A solo concert at the Mozarteum in Salzburg, Austria, will always remain a highlight, closely followed by a number of chamber music concerts at the Isabella Stewart Gardner Museum and a radio broadcast on Chamberworks, heard on WGBH Radio, Boston.
Teaching has always been my first love, however, and I have served on the faculty of a small, European-style conservatory, The Longy School of Music in Cambridge, and at a large research institution where I taught music theory for 10 years at MIT, also in Cambridge. But teaching music history and theory in a liberal arts college is my preferred academic venue and Simmons College and I have been together for many years.
Writings on music appear in the Journal of the Haydn Society of Great Britain and in Abafazi, a journal exploring women of African descent ("Marian Anderson: The Lady from Philadelphia Revisited.") I frequently judge piano competitions for private music schools, statewide piano competitions for the Massachusetts and New Hampshire Music Teachers Associations as well as national competitions for the National Music Teachers Association.