Meet Our Faculty

Hugo Kamya

Average class size: 18

strowman

215

Full-time faculty members,
70% of whom are women.

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Student-to-faculty
ratio of 10:1

Dashottar
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“The faculty are extremely accessible. There’s the sense that we’re here for common goals.”

Kara Mellonakos '15HCMBA

Bridget Lynch

As an artist, B. Lynch, has been working with the topic of folly for many years. Her theatrical installations of the Folly pantheon have been shown at many solo exhibitions in New England. Her new project: The Red and the Grey showed at two venues in 2013.

Lynch has been combining digital and other media for several years, including "Tragical, Comical"... an installation with video and a site-specific labyrinth at the Grimshaw-Gudewicz Gallery in Fall River MA in 2008.  She presented a mixed media and video installation, Truth & Folly at UMass Amherst November 2004. Chain of Fools: Hogarth Reinterpreted by B. Lynch, a mixed media and video installation at University of New Hampshire. January 2006 her project Just a Pack of Cards, with the Open Studio Program was on view at the Currier Museum in Manchester NH. Other shows of note are: the Throne Project 2003, Museum of Fine Arts Boston, Fool’s Progress, Eastern CT State University;The Game of Folly, The Art Complex Museum; and Plucked Fruit, Montserrat College of Art. Lynch has shown extensively in group shows, including The Chicken Show at the Boston Center for the Arts; as well as shows in Germany and the Midwest. Her popular lectures on the topic of Folly and art have been given at many universities and colleges.

Nevada, California, Texas and Alaska have played host to her videos and sound projects from 2011-2012. Video projects were screened at the Carnegie Museum in Pittsburg, University of California Chico State, Lexington Art League among others. The Artist Foundation, Boston, premiered her solo video project: The Lunar Cycle 1 in November 2009.  Studio Green Gallery in Munich Germany premiered two videos in Fall 2009. Miss Kittikins... is included in Creatures Great & Small, a show originating at Murray State College in Kentucky, it has a catalog and traveled to Paducah and Lexington Ky.  
 
The Virginia Center for the Creative Arts awarded her a fellowship in 2008. She has won several awards for her projects, including a Puffin Grant and Ludwig Vogelstein award. She is a co-founder of the Hall Street Artist Collaborative, which produced two outdoor video screenings. Her bibliography includes reviews in Sculpture Magazine, ART New England, the Boston Globe, the Boston Herald, the Patriot Ledge, the Wire and others, as well as several exhibition catalogues, and two cable TV presentations. She is included in the Springfield Ohio Museum of Art; The Boston Public Library, Boston; the Art Complex Museum, Duxbury, MA; Eastern Connecticut State University Collection; University of NH Art Museum; Private collections in the USA, Germany and Sweden.

Critics say of her work: “Created with compassion, originality and wit, Lynch’s tableaux are metaphors for society.”—Alicia Faxon Art New England. "Lynch has inspiration and intellect to spare. Her installation embraces the illogic of chance, double dealing, and rule breaking that too often define our lives. Her work also includes the overt nod to Dada and recalls Duchamp's passion for chess."—John Stomberg ART New England. 


Hugo Kamya

Hugo Kamya

Scholarly and Practice Interests

Caring across communities; the psychological impact of war; children living in families with HIV/AIDS; culturally competent family therapy; culturally competent services for immigrants and refugees; youth violence related to HIV/AIDS; interracial relations; spirituality in therapy.

Carole Biewener

With a background in Economic Development and Political Economy and a joint appointment in Economics and Women’s and Gender Studies, Professor Biewener’s most current research interests address the political economy of food – a fabulous way of combining her love of gardening and food with her keen interest in community economies.

In 2013 she completed a long-term, collaborative research project with Marie-Hélène Bacqué (Professor of Urban Studies, Université de Paris Ouest Nanterre) that traced the genealogy of the term "empowerment" in the fields of gender and development, urban policy and social work. Publications from this research include “Feminism and the Politics of Empowerment in International Development” (forthcoming in Air and Space Power Journal–Africa and Francophonie); L’empowerment, une pratique emancipatrice (Editions La Découverte, 2013; Spanish translation forthcoming in 2015); and “Different manifestations of the concept of empowerment. The politics of urban renewal in the United States and Great Britain” (International Journal of Urban and Regional Research, August 2012).

Prior research and publications have addressed community development and social economy projects in the United States and Canada, debates at the intersection of poststructuralist feminism and postmodern Marxism, and the French Socialist government's financial and industrial policies in the 1980s.

Currently Professor Biewener is an Associate Editor for Signs, Journal of Women in Culture and Society and she has served on the Editorial Board of Rethinking Marxism (1990-2001). In 2009 she co-organized (with Randy Albelda, UMass-Boston) the 18th Annual Conference of the International Association for Feminist Economics, “Engendering Economic Policy,” which was hosted by Simmons College.

Professor Biewener oversees the Economics Department Internship program, and was Coordinator for the interdisciplinary minor in Social Justice from 2004-2013.

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Shelley Strowman

Dr. Strowman teaches Biostatistics and Capstone Seminar III in the Doctor of Nursing Practice (DNP) program.  She also provides statistical consultation on Capstone projects and Master's theses in the Nursing and Nutrition departments.  Dr. Strowman joined the School of Nursing and Health Sciences faculty in 2008 after working for several years in the Academic Technology Department as a Statistical Software Consultant.

Professor Strowman has supervised several DNP Capstone projects including:

  • Teleneurology in Long Term Care: Value of a Joint Nurse Practitioner-Neurologist Videoconferencing Clinic
  • Early Integration of Palliative Care in Patients with Pancreatic Cancer: A Quality Improvement Project
  • Survivorship Care Plans: Exploring Lymphoma Patients' Knowledge of their Disease and Follow-Up
  • Improving Exercise Prescribing in a Rural New England Free Clinic: A Quality Improvement Project Implementing Exercise Prescribing Guidelines

Dr. Strowman brings to the classroom over 20 years of experience in research, including several years as a consultant in public health.  She has provided statistical and survey consultation in a variety of areas including cardiovascular health promotion, tobacco control, the relation between stress and hospitalization, and health risk behavior.  Dr. Strowman's professional experience is integrated into her teaching through an emphasis on real-world examples and applications.

Professor Strowman has also taught Statistics and provided consultation in the Schools of Social Work, Management, and Library and Information Science.

James Corcoran

James Corcoran, an associate professor in the Department of Communications, is the author of two books on domestic terrorism. The first, Bitter Harvest: The Birth of Paramilitary Terrorism in the Heartland, examined the rise of the anti-tax movement in rural America embodied by extremists groups such as the Posse Comitatus. NBC-TV turned the book, which was based on Corcoran's Pulitzer Prize nominated coverage of the murders of three U.S. marshals by a militant tax protest group, into a made-for-television movie, starring Rod Steiger, entitled "In the Line of Duty: Manhunt in the Dakotas." Bitter Harvest received the Gustav Meyers Center's award for Outstanding Book on the subject of human rights and the Golden Pen Award. Penguin Press reissued it with a new foreword in 1995 following on the Oklahoma City bombing. A third edition was reissued in 2005.

His second book, Gathering Storm: America's Militia Threat, was co-authored with Morris Dees, founder of the Southern Poverty Law Center. Written after the Oklahoma City bombing, it traced the growth and impact of hate groups, militias, and racist demagogues.

Corcoran is a member of the United Nations' "Roster of Experts on Terrorism and Related Phenomena" and a recipient of the Bush Foundation Leadership Award, which is awarded annually to no more than 20 people who are considered of "substantial standing" in their fields. During his 10-year career as a journalist, which included work for The Forum of Fargo-Moorhead and Newsweek, Corcoran received more than 24 state, regional, and national writing awards.

Masato Aoki

I started my own college education as a pre-med major. (Guess what my parents did.) In my second semester, I discovered economics, and I’ve been a student of economic systems ever since. I continue to be fascinated by the dynamics that subject the economy to instability and even crisis; competing economic theories, from those that celebrate market outcomes to those that problematize class; economics as a window into social justice issues; and education reform movements as reflections of economic priorities. While I did not become a physician, I have devoted my life to studying the physiology and metabolic system of an important patient: the economy.

I love teaching as a craft, as a way to inspire students, and as a way to be inspired by students and colleagues. The classroom is a sanctuary, and time preparing for class and helping students pursue their own research is precious. Teaching extends to working one-on-one with students during office hours and engaging in intellectual play with the Economics Student Liaison (similar to economics “clubs” at other institutions). I also take great pleasure in advising students, which for me means helping them (1) discover their passions, (2) figure out what difference they want to make in the world and how to prepare to make that difference, and (3) navigate Simmons and Boston to get to most out of their college experience.

Rich Gurney

Dr. Gurney is an expert in the field of Green Chemistry Education, where he has been actively developing curricula for the past 13 years. He focuses his teaching and research on the applications of green chemistry and finding solutions for everyday problems using materials that are "benign by design." As the Principle Investigator and Director of the Undergraduate Laboratory Renaissance Program, funded in part by the W. M. Keck Foundation and the National Science Foundation, Dr. Gurney is currently studying the effectiveness of an entirely project-based, research-integrated, greener organic chemistry laboratory experience as one component of a completely re-engineered, undergraduate, green-laboratory curriculum. The ULR Program encompasses a fundamental reengineering of the undergraduate laboratory curriculum using the principles of green chemistry to expose students to the excitement of research beginning in their first-semester of their undergraduate career. The integrity of the knowledge learned within the ULR laboratory sequence has been maintained, while providing an environment for students to hone their higher-order cognitive skills such as analysis, synthesis and evaluation. From 2008 – 2013, the W. M. Keck Foundation supported the effort to expand this pedagogy to course-based laboratories not only in Chemistry, but also in Physics and Biology, with a total of 9 faculty participants. Dr. Gurney is also highly active in the development of greener polymeric systems capable of closed-loop molecular recycling, in collaboration with Dr. Debora Martino at INTEC (Instituto de Desarrollo Tecnológico para la Industria Química) and the Universidad Nacional del Litoral, Santa Fe, Argentina. Funding in part to support undergraduate participation in this collaboration and research has been provided by the (Universidad Nacional del Litoral, Argentina (CAI+D Tipo II PI 11-57), CONICET (PIP 112-200801-01079 and D-1280/2011) Argentina, the NSF OISE (#1031394), the Semiconductor Research Corporation Educational Alliance-Undergraduate Research Opportunity Program, and the Presidential Fund for Faculty Excellence at Simmons College for the financial support. Dr. Gurney is one of the 16 founding members of the Green Chemistry Education Network and one of the ten founding faculty Board Members for the Green Chemistry Commitment.

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Amitabh Dashottar

Dr. Dashottar joined the faculty at Simmons College in January 2013. Before Joining Simmons, Dr. Dashottar did Postdoctoral research at the Laboratory of Investigative Imaging and his doctoral research at the Human Performance Laboratory at the Ohio State University.

Afaa Weaver

Afaa Michael Weaver (Michael S. Weaver) was born in Baltimore, Maryland, where he graduated from Baltimore Polytechnic Institute at the age of sixteen as a National Merit finalist. After two years at the University of Maryland, he entered fifteen years of factory work, during which time he wrote and published.

During the Vietnam War, Professor Weaver served honorably in the 342nd Army Security Agency of the Army Reserves. He ended that period of blue collar factory work in 1985, when he received an NEA fellowship in poetry. In that same year Professor Weaver entered Brown University's graduate writing program on a full university fellowship. While completing his M.A. at Brown, he also completed his B.A. in Literature in English at Excelsior College.

Later Professor Weaver taught at Essex County College, Seton Hall Law School, New York University, Brooklyn College, and Borough of Manhattan Community College. He came to Simmons in 1998, after receiving tenure with distinction at Rutgers University. At Simmons he is a tenured full professor and holds the Alumnae Endowed Chair, the first chair to be established at the college and one that is reserved for working writers.

In addition to the NEA, Professor Weaver has received several awards over the years, including the Kingsley Tufts Poetry Award (2014), May Sarton Award (2010), several Pushcart Prizes (2008, 2013, 2014), a Pew fellowship (1998), a Pennsylvania Council on the Arts fellowship (1994), and a Fulbright appointment as a scholar (2002) at National Taiwan University and Taipei National University of the Arts.

He is the author of numerous books of poetry, a collection of essays which he edited, several essays and articles in various academic and trade publications, and short fiction. As a freelance journalist he has written for the Baltimore Sunpapers, Baltimore Afro-American, The Philadelphia Tribune, The Boston Globe, The Chicago Tribune, The Baltimore City Paper, and The Philadelphia Sun. He has been the editor of Obsidian III at North Carolina State University, and the editor and founder of 7th Son Press in Baltimore.

At Brown, Professor Weaver focused on playwriting and theatre. His master's thesis was a full length play entitled Rosa, which was produced professionally in 1993 at Venture Theater in Philadelphia. In that same year he won the PDI Award in playwriting from ETA Theatre in Chicago, Illinois. He is the author of several other plays, including Berea, which has received two staged readings, one in Chicago and one in Philadelphia.

Dr. Henry Louis Gates of Harvard University has described Professor Weaver as "...one of the most significant poets writing today." Ed Ochester, professor emeritus at University of Pittsburgh has said Professor Weaver is "...the African American successor to Walt Whitman."

Professor Weaver studies Chinese on an ongoing basis, and in 2005 he tested successfully in the intermediate level of fluency in Speaking, Reading, and Writing at the Taipei Language Institute in Taipei, Taiwan. He has convened two international conferences on contemporary Chinese poetry at Simmons and, in that way, given the college an international presence in the world of Chinese poetry. In 2005 he was awarded a gold friendship medal from the Chinese Writers' Association in Beijing, China.

Professor Weaver's papers are held in repository at the Howard Gotlieb Archival Research Center at Boston University.

Naresh Agarwal

Naresh Agarwal, who joined the faculty in Fall 2009, earned his doctorate from the National University of Singapore (NUS)'s Department of Information Systems, School of Computing. His teaching areas are evaluation of information services, technology for information professionals, web development & information architecture, and knowledge management. Agarwal's research area is information behavior and knowledge management – the way people look for information and the contextual factors that impact their choice of information sources. He seeks to understand and synthesize the apparent contradictions in this phenomenon and tries to reconcile multiple perspectives – the user (context, seeking, sense-making, serendipity) versus systems/technology, theoretical and empirical studies, and a variety of contexts - office workers, medical residents, LIS students, faculty, librarians, toddlers, etc. His publications span these areas. Agarwal has held various leadership positions at ASIS&T - the Association for Information Science and Technology. He was a member of the ASIS&T Board of Directors from 2012-2014. Agarwal was awarded the ASIS&T James M. Cretsos Leadership Award in 2012. Prior to entering the doctoral program at NUS, he worked for six years in technology roles in the voice-over-IP, bioInformatics and digital cinema industries. Among other things, Agarwal has been a debater and public speaker and likes to paint in oil and watercolor in his free time. You can learn more about him at http://www.nareshagarwal.co.nr/.

Naresh Agarwal's Curriculum Vitae

Judith Aronson

Judith Aronson has been teaching graphic design at Simmons for seventeen years and has been a practicing designer and photographer for more than thirty years. Prior to Simmons she taught at the Massachusetts College of Art and Design and the New England School of Art and Design at Suffolk University. Earlier in her career she was a program analyst in the Civil Rights Division of the Justice Department in Washington, DC, served as a VISTA Volunteer in East Harlem, and worked as a city planner for the New York City Environmental Protection Administration. For fifteen years she lived overseas: three years in South East Asia and twelve in England where she was a photojournalist. Aronson holds a BA in American Studies from the University of Michigan and a MA in City Planning and a MA in Fine Art/Graphic Design, from Yale University.

Her special interests are typography, environmental design, and photojournalism. In 2003 she received a grant from the Colleges of the Fenway to teach the course Wayfinding: Design, Information Architecture and Public Spaces. Wayfinding is a specialty that applies design principles to information systems that help people move through complex urbanscapes — hospitals, airports, college campuses and the like. In 2006 Aronson had a one person retrospective in Boston of her color photographs, TACTILE |MERCANTILE, with pictures ranging from the young Mick Jagger, to the slums Harlem and the exotic scenery in South East Asia. In 2010 she published LIKENESSES, with the Sitters Writing About One Another, a book of black and white portraits of writers and artists. The book led to a number of exhibitions both in the US and England including at the Picture Gallery, Christ Church, Oxford, The Poetry Society, London and the Royal West of England Academy in Bristol. A poetry competition sponsored by Bristol University in conjunction with the last show produced thirty poems each responding to one of her photographs. In 2015 the exhibition will move to the Cambridge University Library in England for twelve months.

Aronson’s photographs are held in collections at The National Portrait Gallery, London; Christ College, Cambridge; Keble College and Christ Church, Oxford University; Brotherton Library, Leeds University; and the National Portrait Gallery (Smithsonian Institute), Washington, DC. Her work has been published in The Sunday Telegraph, England, the New York Review of Books, The Threepenny Review, Ms. Magazine, and the Boston Globe.

Judith Richland

Judith Richland has been teaching new media courses in the Communications Department at Simmons College since 2004. For the past four years she has won the Simmons President’s Diversity and Inclusion Advisory Council Grant (PDIAC) for her program Diversity in Film Genres: Empowering Young Women of Color and Looking at Attitude Changes in the Simmons Community”. For this program she invites accomplished international women filmmakers to screen their films and engage with the students. The program encourages students to discuss the films and attend workshops with these filmmakers in order to understand the diverse needs of women throughout the world. In 2014 she organized and initiated the first International Women’s Film Forum at Simmons College which was attended by 150 participants. These film programs have greatly inspired her students and she works with them closely and encourages them create their own films. Under her guidance in August 2014, two Saudi students launched “Takalamy: A Conversation with Young Saudi Females.” The film was of great interest to the Chronicle of Higher Education, who contacted her about the making of and content of the film.

In addition to screening films, she teaches video editing, shooting, motion graphics, graphic design and web design. In 2003 she completed her Masters of Fine Arts degree specializing in New Media from the Dynamic Media Institute at the Massachusetts College of Art and Design. She also possesses a Master of Fine Arts from Massachusetts College of Art and Design in Printmaking, a Masters in Art History from Boston University and an undergraduate BS degree in Human Development from Cornell University. She has also studied in rigorous programs in Graphic Design at the Boston Museum School, Comparative Media Studies at MIT (with Henry Jenkins), and Art and Visual Perception at Harvard University (with Rudolph Arnheim).

Judith Richland is no stranger to the Graphic Design world in Boston. She headed up one of the few women-owned design firms in Boston for 20 years designing websites and promotional marketing literature for MIT, Apple Computer, Lotus Development, Massachusetts General Hospital, IBM, Fidelity and many other Fortune 500 companies. Richland Design Associates received numerous awards and the firm’s work appears in many design publications. Judith Richland was the first woman president of the Boston Chapter of AIGA (American Institute of Graphic Arts) and served on numerous national panels as a representative of the Boston design community.

Mary Jane Treacy

I am a Professor of Spanish Language and Literatures as well as Director of the Honors Program. I wrote a doctoral dissertation on drama, the emergence of comedy, in 16th-century Spain with an emphasis on the comedia of Lope de Vega. Soon after this, I turned to the other face of Spanish theatre: the famous wife-murder plays of Lope de Vega and Pedro Calderón de la Barca and from there to violence (state violence as well as violence against women) in Latin American and Spanish literature.

Violence took me directly to Latin American experiences of the 60s - 90s to see how literature and film attempted to make sense of political upheaval and state violations of human rights. I also examined how personal writings—autobiography, essays, interviews—by members of guerrilla movements explained and framed their participation and use of violence to bring about social change. My particular interest was, and remains, in how women joined these forces and how they explain their experiences as gendered (or not).

Interest in social movements took me from Latin American guerrilla organizations to U.S. social movements. I was given the opportunity to teach Roots of Feminism in the WGST program. Soon after, I joined Reacting to the Past, a group of historians and political scientists centered at Barnard College who design role-playing games for college courses in a variety of fields. I saw that their approach was one that would ideally suit the Roots course, except that I was going to have to write it myself. So I did. Greenwich Village 1913: Suffrage, Labor and the New Woman has now been featured at many national conferences and is played in universities throughout the United States.